<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-4343097642395777489</id><updated>2012-01-22T19:00:13.016+01:00</updated><title type='text'>Architettura e Modernità. Dal Bauhaus alla rivoluzione informatica.</title><subtitle type='html'>Il blog serve a inserire materiali fotografici e video di qualità. Si può contribuire inviando indicazioni nei commenti a ciascuna opera.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://saggioarchitettura.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://saggioarchitettura.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Antonino Saggio</name><uri>http://www.blogger.com/profile/07567640266002829725</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://www.arc1.uniroma1.it/saggio/0PortraitsAS/SaggioPenta.JPG'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>31</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-4343097642395777489.post-1142176064118375407</id><published>2011-04-06T11:18:00.071+02:00</published><updated>2012-01-22T19:00:13.022+01:00</updated><title type='text'>Esiti del Seminario di Dottorato  "Ipotesi di ricerca", Sapienza Università di Roma</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;Dottorato di ricerca in Architettura - Teorie e Progetto&lt;br /&gt;Seminario del prof. Antonino Saggio. AA 2011.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/-RmJYoyXO1Dw/TwXMbMRDr2I/AAAAAAAABR0/_ylUy6XlhzA/s1600/IMG_4067.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" src="http://2.bp.blogspot.com/-RmJYoyXO1Dw/TwXMbMRDr2I/AAAAAAAABR0/_ylUy6XlhzA/s320/IMG_4067.JPG" width="320" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&lt;span style="letter-spacing: 0px;"&gt;Nove architetti iscritti al Dottorato di ricerca presentano temi per possibili nuove ricerche con delle brevi presentazioni con riferimenti al passato, parole chiave e immagini stimolanti. Sono: Alessandro Felici, O&lt;i&gt;pen source ed istantaneità nell’housing sociale&lt;/i&gt;, Roberta Causarano,&amp;nbsp;&lt;i&gt;Cibernetica e pensiero sistemico. Dalla macchina da abitare&amp;nbsp;all'organismo intelligente&lt;/i&gt;, Alessia Vitali,&amp;nbsp;&lt;i&gt;Operazioni:&amp;nbsp;Gehry &amp;amp;. Moss,&lt;/i&gt;&amp;nbsp;Francesca Sarno,&amp;nbsp;&lt;i&gt;Monumentalità urbana in Brasile. Strategie della spazialità paulista,&amp;nbsp;&lt;/i&gt;Maria Teresa Cutrì,&amp;nbsp;&lt;i&gt;Attraverso lo specchio.Nuove migrazioni e trasformazione del territorio,&amp;nbsp;&lt;/i&gt;Zhao Jie,&amp;nbsp;&lt;i&gt;Movimento. Ammaliamento! Disorientamento? L’architetto Ma Yansong e lo studio MAD&lt;/i&gt;&lt;/span&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;i&gt;,&lt;/i&gt;&amp;nbsp;Marta Gallo,&amp;nbsp;&lt;i&gt;La partecipazione nelle trasformazioni urbane d’oggi. Impatto e potenzialità nelle tecnologie informatiche&lt;/i&gt;, Maria Luigia Micalella,&amp;nbsp;&lt;i&gt;Diagrammi e contaminazioni in Van Berkel e Holl&lt;/i&gt;, Elvira Reggiani, Quattro modalità di operare sulle tracce.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;ul style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;li style="font: normal normal normal 11px/normal 'Lucida Grande'; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;A tutti i lavori si accede dai link sotto indicati. il link rev conduce alla recensione il link pres alla presentazione.&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/div&gt;Roberta Causarano&lt;br /&gt;&lt;a href="http://robertacausarano.blogspot.com/"&gt;http://robertacausarano.blogspot.com/&lt;/a&gt;&lt;br /&gt;&lt;a href="http://robertacausarano.blogspot.com/2011/11/antonino-saggio-architettura-e_01.html"&gt;rev&lt;/a&gt;&amp;nbsp;&lt;a href="http://robertacausarano.blogspot.com/2011/12/lidea-di-unita-organismo-ambiente-e-i.html"&gt;pres&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;Maria Teresa Cutrì&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;a href="http://mtcmariateresacutri.blogspot.com/"&gt;http://mtcmariateresacutri.blogspot.com/&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://mtcmariateresacutri.blogspot.com/2011/10/recensionearchitetturaemodernita.html"&gt;rev&lt;/a&gt;&amp;nbsp;&amp;nbsp;&lt;a href="http://mtcmariateresacutri.blogspot.com/2012/01/attraverso-lo-specchio.html"&gt;pres&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Alessandro Felici&lt;br /&gt;&lt;a href="http://phdarchitettura.blogspot.com/"&gt;http://phdarchitettura.blogspot.com/&lt;/a&gt;&lt;br /&gt;&lt;a href="http://phdarchitettura.blogspot.com/"&gt;rev&lt;/a&gt;&amp;nbsp;V.&lt;br /&gt;&lt;br /&gt;Marta Gallo&lt;br /&gt;&lt;a href="http://mgalloarchitetturamodernita.blogspot.com/"&gt;http://mgalloarchitetturamodernita.blogspot.com/&lt;/a&gt;&lt;br /&gt;&lt;a href="http://mgalloarchitetturamodernita.blogspot.com/2011/10/crisi-e-catalizzatori-dalla-modernita_13.html"&gt;rev&lt;/a&gt;&amp;nbsp;&lt;a href="http://mgalloarchitetturamodernita.blogspot.com/2011/12/ipotesi-di-ricerca.html"&gt;pres&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Maria Luigia Micalella&lt;br /&gt;&lt;a href="http://gigarch.wordpress.com/"&gt;http://gigarch.wordpress.com/&lt;/a&gt;&lt;br /&gt;&lt;a href="http://gigarch.wordpress.com/2011/11/08/recensione-architettura-e-modernita-dal-bauhaus-alla-rivoluzione-industriale/"&gt;rev&lt;/a&gt;&lt;a href="http://gigarch.wordpress.com/2012/01/05/ipotesi-di-ricerca/#respond"&gt;&amp;nbsp;pres.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Elvira Reggiani&lt;br /&gt;&lt;a href="http://www.elvirareggiani.blogspot.com/"&gt;http://www.elvirareggiani.blogspot.com/&lt;/a&gt;&lt;br /&gt;&lt;a href="http://elvirareggiani.blogspot.com/2011/10/recensione-architettura-e-modernita-dal.html"&gt;rev&lt;/a&gt;&amp;nbsp;&lt;a href="http://pres./"&gt;pres.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Francesca Sarno&lt;br /&gt;&lt;a href="http://frarching.blogspot.com/"&gt;http://frarching.blogspot.com&lt;/a&gt;/&lt;br /&gt;&lt;a href="http://frarching.blogspot.com/2011/07/trasparenze.html"&gt;rev&lt;/a&gt;&amp;nbsp;&lt;a href="http://frarching.blogspot.com/2011/12/architettura-e-modernita-ipotesi-di.html"&gt;pres.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Alessia Vitali&lt;br /&gt;&lt;a href="http://architetturateorieeprogetto.blogspot.com/"&gt;http://architetturateorieeprogetto.blogspot.com/&lt;/a&gt;&lt;br /&gt;&lt;a href="http://architetturateorieeprogetto.blogspot.com/2011/10/recensione.html"&gt;rev&lt;/a&gt;&amp;nbsp;&lt;a href="http://architetturateorieeprogetto.blogspot.com/2011/12/operazioni-gehry-moss.html"&gt;pres&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Jie Zhao&lt;br /&gt;&lt;a href="http://zhaoarchitettura.blogspot.com/"&gt;http://zhaoarchitettura.blogspot.com/&lt;/a&gt;&lt;br /&gt;&lt;a href="http://zhaoarchitettura.blogspot.com/2011/11/architettura-e-modernita-dal-bauhaus.html"&gt;rev&lt;/a&gt;&amp;nbsp; &lt;a href="http://zhaoarchitettura.blogspot.com/2011/12/movimento.html"&gt;pres.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="font-family: Helvetica;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Lucida Grande'; font-size: 11px;"&gt;ELABORATI FINALI&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;ul style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;li style="font: normal normal normal 11px/normal 'Lucida Grande'; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;Gli architetti dottorandi &amp;nbsp;hanno preparato&amp;nbsp;&lt;/span&gt;una presentazione che, a partire da alcuni argomenti o parti del libro&amp;nbsp;&lt;i&gt;Architettura e Modernità&lt;/i&gt;, (recensito a parte) possono contenere in nuce argomenti della propria tesi. La presentazione, corredata da immagini, ha avuto non solo carattere storico-critico, ma anche didattico-progettuale.&lt;/li&gt;&lt;li style="font: normal normal normal 11px/normal 'Lucida Grande'; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;A tutti i lavori si accede dai link sotto indicati. il link rev conduce alla recensione il link pres alla presentazione.&lt;/li&gt;&lt;li style="font: normal normal normal 11px/normal 'Lucida Grande'; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;La presentazione degli elaborati finali si è tenuta in un incontro pubblico &amp;nbsp;il giorno 13 dicembre dalle ore 15,30 alle ore 18,15 presso la Facolta d' architettura di Roma. All'incontro sono stati presenti Docenti, Dottorandi e studenti. Successivamente si è tenuta la conferenza del prof Branko Kolarevic.&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-2ng4PYaUFtE/TwXONVRS4gI/AAAAAAAABSA/zyWCtIJuQ5w/s1600/Dottorati.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/-2ng4PYaUFtE/TwXONVRS4gI/AAAAAAAABSA/zyWCtIJuQ5w/s400/Dottorati.jpg" width="271" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font: 9.0px Arial; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div style="font-family: Helvetica;"&gt;&lt;div style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;ul&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4343097642395777489-1142176064118375407?l=saggioarchitettura.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://saggioarchitettura.blogspot.com/feeds/1142176064118375407/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://saggioarchitettura.blogspot.com/2011/04/inizio-del-seminario-del-dottorato-di.html#comment-form' title='4 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/1142176064118375407'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/1142176064118375407'/><link rel='alternate' type='text/html' href='http://saggioarchitettura.blogspot.com/2011/04/inizio-del-seminario-del-dottorato-di.html' title='Esiti del Seminario di Dottorato  &quot;Ipotesi di ricerca&quot;, Sapienza Università di Roma'/><author><name>Antonino Saggio</name><uri>http://www.blogger.com/profile/07567640266002829725</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://www.arc1.uniroma1.it/saggio/0PortraitsAS/SaggioPenta.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-RmJYoyXO1Dw/TwXMbMRDr2I/AAAAAAAABR0/_ylUy6XlhzA/s72-c/IMG_4067.JPG' height='72' width='72'/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4343097642395777489.post-214805228039955439</id><published>2010-09-19T20:06:00.002+02:00</published><updated>2011-11-16T17:34:21.478+01:00</updated><title type='text'>VIII. 27 e Copertina. Eric Owen Moss, Culver City, Los Angeles 1990 e seguenti</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-hDcCy_Pd_Ag/TmU8fp4cOnI/AAAAAAAAABw/I9R9lMWKsCc/s320/DSC02531+bis.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="250" src="http://1.bp.blogspot.com/-hDcCy_Pd_Ag/TmU8fp4cOnI/AAAAAAAAABw/I9R9lMWKsCc/s320/DSC02531+bis.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-GTgkfZBrqao/TmU-gj7ojRI/AAAAAAAAACI/sVqpi9BA6pI/s320/DSC02546+copy.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" src="http://3.bp.blogspot.com/-GTgkfZBrqao/TmU-gj7ojRI/AAAAAAAAACI/sVqpi9BA6pI/s320/DSC02546+copy.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-ymFscgUDoDg/TmU8Cu4E2JI/AAAAAAAAABo/Xk9i04JGa9s/s320/DSC02530.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-ymFscgUDoDg/TmU8Cu4E2JI/AAAAAAAAABo/Xk9i04JGa9s/s320/DSC02530.JPG" width="240" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Foto e commenti a cura di Alessia Vitali "La città dei cactus volanti" &lt;a href="http://architetturateorieeprogetto.blogspot.com/2011/09/blog-post.html"&gt;&amp;gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4343097642395777489-214805228039955439?l=saggioarchitettura.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://saggioarchitettura.blogspot.com/feeds/214805228039955439/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://saggioarchitettura.blogspot.com/2011/09/viii-27-cover-eric-owen-moss-culver.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/214805228039955439'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/214805228039955439'/><link rel='alternate' type='text/html' href='http://saggioarchitettura.blogspot.com/2011/09/viii-27-cover-eric-owen-moss-culver.html' title='VIII. 27 e Copertina. Eric Owen Moss, Culver City, Los Angeles 1990 e seguenti'/><author><name>Antonino Saggio</name><uri>http://www.blogger.com/profile/07567640266002829725</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://www.arc1.uniroma1.it/saggio/0PortraitsAS/SaggioPenta.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-hDcCy_Pd_Ag/TmU8fp4cOnI/AAAAAAAAABw/I9R9lMWKsCc/s72-c/DSC02531+bis.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4343097642395777489.post-3687955234622175526</id><published>2010-02-26T19:19:00.035+01:00</published><updated>2011-07-15T11:34:20.123+02:00</updated><title type='text'></title><content type='html'>&lt;b&gt;&lt;a href="http://3.bp.blogspot.com/_qHqxLEC7B-g/S4gW9cB_NPI/AAAAAAAAA0c/0XCPCHIboTc/s1600-h/Copertina.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5442625394429605106" src="http://3.bp.blogspot.com/_qHqxLEC7B-g/S4gW9cB_NPI/AAAAAAAAA0c/0XCPCHIboTc/s400/Copertina.jpg" style="height: 575px; width: 420px;" /&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;div&gt;&lt;i&gt;&lt;b&gt;Overview del volume &amp;nbsp;&lt;/b&gt;&lt;a href="http://www.arc1.uniroma1.it/saggio/libri/carocci/AntoninoSaggioArchitetturaeModernita.DalBauhausALaRivoluzioneInformatica.pdf"&gt;&lt;b&gt;pdf 24mega&lt;/b&gt;&lt;/a&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-style: normal;"&gt;&lt;b&gt;Contiene:&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;b&gt;Indice, Introduzione, Paragrafo e immagini iniziali di ognuna delle otto parti del volume, Indice dei nomi, &amp;nbsp;Bibliografia.&lt;/b&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;b&gt;&lt;/b&gt;&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;b&gt;Acquista / Buy &amp;nbsp;&lt;a href="http://www.amazon.it/Architettura-modernit%C3%A0-Bauhaus-rivoluzione-informatica/dp/8843051644/ref=sr_1_1?ie=UTF8&amp;amp;qid=1310722377&amp;amp;sr=8-1"&gt;via Amazon.it&lt;/a&gt;&amp;nbsp;&lt;/b&gt;&lt;b&gt;&lt;a href="http://www.ibs.it/code/9788843051649/saggio-antonino/architettura-e-modernit-agrave-dal.html"&gt;via IBS&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;&lt;i&gt;&lt;/i&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;i&gt;&lt;/i&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;i&gt;&lt;/i&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;i&gt;&lt;/i&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;i&gt;&lt;/i&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;i&gt;&lt;/i&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;i&gt;&lt;/i&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;i&gt;&lt;/i&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;i&gt;&lt;div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;b&gt;Dall’avvento di una architettura esplicitamente legata al mondo dell’industria alla rifondazione etica del secondo dopoguerra, dall’esplosione della società e dei consumi di massa, all’emergere delle nuove concezioni di contesto, di paesaggio, di ecologia e di informatica &lt;/b&gt;&lt;i&gt;&lt;b&gt;Architettura e modernità. Dal Bauhaus alla rivoluzione informatica &lt;/b&gt;&lt;/i&gt;&lt;b&gt;ripercorre in forma saggistica, evidenziando i protagonisti e le vicende di maggiore centralità, gli ultimi otto decenni della storia dell’architettura contemporanea.&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;b&gt;Concepito completamente ex novo, il volume si distingue dai manuali che offrono una edizione ampliata di Storie dell’architettura nate attraverso chiavi interpretative di decenni or sono. La riscrittura del passato parte in questo libro dall’oggi ed è in rapporto all’emersione del paradigma informatico che caratterizza gli orientamenti più innovativi dell’attuale architettura. Il volume si inserisce così in una trattazione saggistica che trasmette il senso dell’impegno e delle responsabilità future, in una visione della Modernità come tensione sempre presente nelle grandi ricerche dell’architettura nell’affrontare le crisi di trasformazione che investono il mondo, la società e gli individui con un insieme di scelte estetiche, organizzative, tematiche e spaziali ad un tempo.&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px; min-height: 14.0px;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font: 10.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;b&gt;Antonino Saggio, architetto, è professore di Progettazione architettonica e urbana a Sapienza Università di Roma e membro del Dipartimento di Architettura e Progetto e del Dottorato di ricerca in Progettazione e Teoria dell’Architettura. Ha insegnato e tenuto conferenze all’estero. Dirige la collana “La Rivoluzione Informatica” che ha contribuito ad un rinnovamento del pensiero architettonico contemporaneo.&amp;nbsp; Tra i suoi libri si ricordano: &lt;/b&gt;&lt;i&gt;&lt;b&gt;Giuseppe Terragni. Vita e opere, &lt;/b&gt;&lt;/i&gt;&lt;b&gt;(Roma-Bari 2005), &lt;/b&gt;&lt;i&gt;&lt;b&gt;Frank O. Gehry &lt;/b&gt;&lt;/i&gt;&lt;b&gt;(Torino, 1997), &lt;/b&gt;&lt;i&gt;&lt;b&gt;Peter Eisenman. Trivellazioni nel futuro &lt;/b&gt;&lt;/i&gt;&lt;b&gt;(Torino, 1996), &lt;/b&gt;&lt;i&gt;&lt;b&gt;Louis Sauer&lt;/b&gt;&lt;/i&gt;&lt;b&gt; (Roma, 1988), &lt;/b&gt;&lt;i&gt;&lt;b&gt;Giuseppe Pagano tra politica e architettura&lt;/b&gt;&lt;/i&gt;&lt;b&gt; (1984) e per questo editore &lt;/b&gt;&lt;i&gt;&lt;b&gt;Introduzione alla Rivoluzione informatica in architettura&lt;/b&gt;&lt;/i&gt;&lt;b&gt; (Roma, 1997)&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px; min-height: 12.0px;"&gt;&lt;b&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font: 10.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px; min-height: 12.0px; text-align: right;"&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;Antonino Saggio&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px; text-align: right;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;i&gt;&lt;b&gt;Architettura e modernità&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px; text-align: right;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;i&gt;&lt;b&gt;Dal Bauhaus alla rivoluzione informatica&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px; text-align: right;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;b&gt;Frecce&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px; text-align: right;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;b&gt;Carocci&amp;nbsp; ediore&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px; min-height: 12.0px; text-align: right;"&gt;&lt;b&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font: 10.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px; text-align: right;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;b&gt;€ 43,70&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px; text-align: right;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;b&gt;2010&amp;nbsp;&amp;nbsp;pp. 468&amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: red;"&gt;&lt;b&gt;ISBN 978884305164&lt;/b&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: red;"&gt;&lt;b&gt;9&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/i&gt;&lt;/i&gt;&lt;i&gt; &lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;b&gt;&lt;div&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;Alcune recensioni&lt;/b&gt;&amp;nbsp;con ampio dibattito&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Paolo Ferrara &lt;a href="http://www.antithesi.info/testi/testo_2.asp?ID=603"&gt;a&lt;/a&gt;, Chiara Testoni,&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;a href="http://www.architetturadipietra.it/wp/?p=3954"&gt;b&lt;/a&gt;, Michele Traversa &lt;a href="http://www.lsdmagazine.com/architettura-e-modernita-lultimo-libro-di-nino-saggio-per-i-tipi-della-carocci/4682/"&gt;c&lt;/a&gt;, Brunetto de Battè &lt;a href="http://www.antithesi.info/testi/testo_2.asp?ID=600"&gt;d&lt;/a&gt;, Roberto Gamba &lt;a href="http://4.bp.blogspot.com/_qHqxLEC7B-g/S_2io78pD8I/AAAAAAAAA9Q/fFigdp4sHBg/s1600/RobertoGambaItaloggi+17mar010.jpg"&gt;e&lt;/a&gt;, &lt;a href="http://w3.uniroma1.it/arc1/saggio/Libri/Carocci/GambaCostruireinLaterizio135_64_65%20recensioni.pdf"&gt;j&lt;/a&gt;, Andrea Bonavoglia&lt;a href="http://www.foglidarte.com/site/index.php?option=com_content&amp;amp;view=article&amp;amp;id=7:architettura-e-modernita-di-antonino-saggio&amp;amp;catid=3:fogli-freschi-o-quasi-di-stampa&amp;amp;Itemid=5"&gt; f&lt;/a&gt;&amp;nbsp;, Antonello Marotta &lt;a href="http://www.arc1.uniroma1.it/saggio/Libri/Carocci/AntonelloMarotta413Industria.pdf"&gt;g&lt;/a&gt;, Valerio Mosco&lt;a href="http://3.bp.blogspot.com/_qHqxLEC7B-g/TMrdHtZwfII/AAAAAAAABCw/BEo7aQPsoVc/s1600/ValerioMoscoAreaLuglio2010.jpg"&gt; h&lt;/a&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;Tavole Rotonde Presentazioni Lectures&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_qHqxLEC7B-g/TNmXgXppZBI/AAAAAAAABDA/wM_zyVmdhhk/s1600/AntoninoSaggioCOnferenzaTorino2010.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/_qHqxLEC7B-g/TNmXgXppZBI/AAAAAAAABDA/wM_zyVmdhhk/s320/AntoninoSaggioCOnferenzaTorino2010.jpg" width="227" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;i&gt;Livio Sacchi, Maurizio Unali e AS U. Pescara&amp;nbsp;&lt;a href="http://antoninosaggio.blogspot.com/2010/04/livio-sacchi-e-maruzio-unali-dibattono.html"&gt;a&lt;/a&gt;, Alessandro Anselmi, Franco Purini, Sacchi e AS InArch Roma, &lt;a href="http://3.bp.blogspot.com/_qHqxLEC7B-g/S_uiAoor0LI/AAAAAAAAA9I/7J2eXgKBkek/s1600/inarchsaggio.jpg"&gt;b&lt;/a&gt;, TTU Lecture series &lt;a href="http://www.nitrosaggio.net/iQUuaderni/Conferenze/TTU/"&gt;c&lt;/a&gt;, Politecnico di Torino Lecture &lt;a href="http://www.nitrosaggio.net/iQUuaderni/Conferenze/Torino/Index.htm"&gt;d&lt;/a&gt;, Polis University Tirana &lt;a href="http://www.nitrosaggio.net/iQUuaderni/Conferenze/tirana/Index.htm"&gt;e&lt;/a&gt;, Università di Trieste &lt;a href="http://www.nitrosaggio.net/iQUuaderni/Conferenze/trieste/Index.htm"&gt;g&lt;/a&gt;, Clup Milano, &lt;a href="http://w3.uniroma1.it/arc1/saggio/Filmati/conferenze/ZanniSaggioMilano.mp3"&gt;f&lt;/a&gt;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;Testimonials&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;I felt that you´ve put all the essentials in a new perspective, which makes the profession of architectural history important again, since history is and must be re-written and re-viewed every day, which makes retrospect an aspect of the now, just like the prospect of the future is an aspect of the now.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&lt;i&gt;Kas Oosterhuis&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;Il libro cerca un dialogo con il lettore giovane con lo scopo di creare uno sguardo vivo sul presente, &amp;nbsp;tale da far capire le ragioni e offrirgli una possibile strada non solo interpretativa, ma più intimamente progettuale.&amp;nbsp;&lt;/span&gt;Di fatto è un libro politico. Se in questa accezione intendiamo la costruzione di uno spazio attivo tale da generare una società che ragiona in termini di merito e di impegno sociale.&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: inherit;"&gt;&lt;i&gt;Antonello Marotta&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;i&gt;&lt;/i&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4343097642395777489-3687955234622175526?l=saggioarchitettura.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://saggioarchitettura.blogspot.com/feeds/3687955234622175526/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://saggioarchitettura.blogspot.com/2010/02/architettura-e-modernita-dal-bauhaus.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/3687955234622175526'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/3687955234622175526'/><link rel='alternate' type='text/html' href='http://saggioarchitettura.blogspot.com/2010/02/architettura-e-modernita-dal-bauhaus.html' title=''/><author><name>Antonino Saggio</name><uri>http://www.blogger.com/profile/07567640266002829725</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://www.arc1.uniroma1.it/saggio/0PortraitsAS/SaggioPenta.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_qHqxLEC7B-g/S4gW9cB_NPI/AAAAAAAAA0c/0XCPCHIboTc/s72-c/Copertina.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4343097642395777489.post-4063008623701190199</id><published>2010-02-20T18:09:00.000+01:00</published><updated>2010-04-28T17:54:14.781+02:00</updated><title type='text'>VIII. 31. Thom Mayne, Morphois, Uffici Caltrans, Los Angeles (Installazione di Keith Sonnier) 2001 2004</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://4.bp.blogspot.com/_qHqxLEC7B-g/S83Q3v1WhYI/AAAAAAAAA7o/acTg_bRZw3g/s1600/07_c.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-decoration: none;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_qHqxLEC7B-g/S83Q3v1WhYI/AAAAAAAAA7o/acTg_bRZw3g/s320/07_c.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://3.bp.blogspot.com/_qHqxLEC7B-g/S83Q50BsTrI/AAAAAAAAA7w/PCYv2IBzFiE/s1600/09_c.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_qHqxLEC7B-g/S83Q50BsTrI/AAAAAAAAA7w/PCYv2IBzFiE/s320/09_c.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://3.bp.blogspot.com/_qHqxLEC7B-g/S83Q1Lq79dI/AAAAAAAAA7g/ZIMTCm6DK6I/s1600/210520091376.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_qHqxLEC7B-g/S83Q1Lq79dI/AAAAAAAAA7g/ZIMTCm6DK6I/s320/210520091376.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;i&gt;... Si è circondati da schermi. Sia quelli televisivi, che diventano sottilissimi, sia da quelli dei PC, telefonini, navigatori, lettori di musica,&amp;nbsp;videocamere, fotocamere eccetera. Questa onnipresenza dello schermo&amp;nbsp;determina nell’abitante della città una condizione di avvolgimento,&amp;nbsp;se non di bombardamento, da schermo e una condizione appunto&amp;nbsp;strutturalmente digitale...&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;Dal Cap. 31 Espressioni digitali p. 409&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4343097642395777489-4063008623701190199?l=saggioarchitettura.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://saggioarchitettura.blogspot.com/feeds/4063008623701190199/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://saggioarchitettura.blogspot.com/2010/04/viii-31-thom-mayne-morphois-i-uffici.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/4063008623701190199'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/4063008623701190199'/><link rel='alternate' type='text/html' href='http://saggioarchitettura.blogspot.com/2010/04/viii-31-thom-mayne-morphois-i-uffici.html' title='VIII. 31. Thom Mayne, Morphois, Uffici Caltrans, Los Angeles (Installazione di Keith Sonnier) 2001 2004'/><author><name>Antonino Saggio</name><uri>http://www.blogger.com/profile/07567640266002829725</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://www.arc1.uniroma1.it/saggio/0PortraitsAS/SaggioPenta.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_qHqxLEC7B-g/S83Q3v1WhYI/AAAAAAAAA7o/acTg_bRZw3g/s72-c/07_c.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4343097642395777489.post-3235415839149040646</id><published>2010-02-01T13:29:00.000+01:00</published><updated>2010-06-02T11:02:05.387+02:00</updated><title type='text'>VIII. 31. Foreign Office Architects, International port terminal, Yokohama 1995-2002</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_qHqxLEC7B-g/S-viYaz0xOI/AAAAAAAAA8w/jcM3W7GLfKc/s1600/200520091356.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_qHqxLEC7B-g/S-viYaz0xOI/AAAAAAAAA8w/jcM3W7GLfKc/s320/200520091356.jpg" /&gt;&lt;/a&gt;&lt;a href="http://2.bp.blogspot.com/_qHqxLEC7B-g/S-vigEpQ-fI/AAAAAAAAA84/m0FfLxsF5k8/s1600/200520091334.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_qHqxLEC7B-g/S-vigEpQ-fI/AAAAAAAAA84/m0FfLxsF5k8/s320/200520091334.jpg" /&gt;&lt;/a&gt;&lt;a href="http://3.bp.blogspot.com/_qHqxLEC7B-g/S-viiJJdMNI/AAAAAAAAA9A/teAunzGKpck/s1600/200520091357.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_qHqxLEC7B-g/S-viiJJdMNI/AAAAAAAAA9A/teAunzGKpck/s320/200520091357.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://www.youtube.com/watch?v=AdpQ6azxPP0"&gt;Video&lt;/a&gt;&amp;nbsp;montaggio L. Sforza 2010&lt;br /&gt;&lt;br /&gt;..&lt;i&gt;.Lo strumento di controllo del progetto è interamente digitale e i due giovani architetti&lt;/i&gt;&lt;br /&gt;&lt;i&gt;(Farshid Moussavi e Alejandro Zaera-Polo) riescono a portare a&lt;/i&gt;&lt;br /&gt;&lt;i&gt;termine l’opera sperimentando pezzo per pezzo il nuovo know how&lt;/i&gt;&lt;br /&gt;&lt;i&gt;informatico, progettuale e tecnologico. L’interesse del progetto non è&lt;/i&gt;&lt;br /&gt;&lt;i&gt;tanto nella specificità dell’idea architettonica – un’idea come dicevamo&lt;/i&gt;&lt;br /&gt;&lt;i&gt;ampiamente dibattuta – quanto nella grande scala della realizzazione,&lt;/i&gt;&lt;br /&gt;&lt;i&gt;nella messa a punto di appropriati strumenti informatici di&lt;/i&gt;&lt;br /&gt;&lt;i&gt;controllo sia della progettazione sia del cantiere e nell’affermazione di&lt;/i&gt;&lt;br /&gt;&lt;i&gt;architetti di nuova generazione sullo scenario internazionale ... p. 405&lt;/i&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4343097642395777489-3235415839149040646?l=saggioarchitettura.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://saggioarchitettura.blogspot.com/feeds/3235415839149040646/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://saggioarchitettura.blogspot.com/2010/05/viii-31-foreign-office-architects.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/3235415839149040646'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/3235415839149040646'/><link rel='alternate' type='text/html' href='http://saggioarchitettura.blogspot.com/2010/05/viii-31-foreign-office-architects.html' title='VIII. 31. Foreign Office Architects, International port terminal, Yokohama 1995-2002'/><author><name>Antonino Saggio</name><uri>http://www.blogger.com/profile/07567640266002829725</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://www.arc1.uniroma1.it/saggio/0PortraitsAS/SaggioPenta.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_qHqxLEC7B-g/S-viYaz0xOI/AAAAAAAAA8w/jcM3W7GLfKc/s72-c/200520091356.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4343097642395777489.post-9000653381616816941</id><published>2010-02-01T13:03:00.001+01:00</published><updated>2010-02-28T11:37:12.779+01:00</updated><title type='text'>VIII. 33. Diller + Scofidio, Blur, Neuchatel 1998-2002</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_qHqxLEC7B-g/SjtPh5tvt3I/AAAAAAAAAgU/UU8iUMTJVA8/s1600-h/1bella+copia.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5348956426279565170" src="http://4.bp.blogspot.com/_qHqxLEC7B-g/SjtPh5tvt3I/AAAAAAAAAgU/UU8iUMTJVA8/s320/1bella+copia.jpg" style="cursor: hand; cursor: pointer; height: 214px; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_qHqxLEC7B-g/SjtPhs8T26I/AAAAAAAAAgM/riD-vpdG-ic/s1600-h/1nelpaesaggio.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5348956422850993058" src="http://3.bp.blogspot.com/_qHqxLEC7B-g/SjtPhs8T26I/AAAAAAAAAgM/riD-vpdG-ic/s320/1nelpaesaggio.jpg" style="cursor: hand; cursor: pointer; height: 420px; width: 320px;" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_qHqxLEC7B-g/SjtPhZBCv-I/AAAAAAAAAgE/zmI2hvGoBoE/s1600-h/1nuvola.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5348956417502134242" src="http://1.bp.blogspot.com/_qHqxLEC7B-g/SjtPhZBCv-I/AAAAAAAAAgE/zmI2hvGoBoE/s320/1nuvola.jpg" style="cursor: hand; cursor: pointer; height: 206px; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;i&gt;..La nuvola entra in costante mutazione con l’edificio, lo cambia costantemente facendo emergere ora una prua, ora una terrazza, ora un ponte, ora nulla. Senza la lettura e la trasformazione delle informazioni ambientali, ci sarebbe solo la pura ossatura metallica&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;Dal Capitolo 33. Fluidità e nuove connessioni &lt;/div&gt;&lt;div&gt;&lt;a href="http://www.youtube.com/watch?v=dmoRbNjhebU&amp;amp;feature=channel_page&amp;amp;fmt=18"&gt;Video&lt;/a&gt; you tube*&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4343097642395777489-9000653381616816941?l=saggioarchitettura.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://saggioarchitettura.blogspot.com/feeds/9000653381616816941/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://saggioarchitettura.blogspot.com/2009/06/viii-diller-scofidio-blur-neuchatel.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/9000653381616816941'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/9000653381616816941'/><link rel='alternate' type='text/html' href='http://saggioarchitettura.blogspot.com/2009/06/viii-diller-scofidio-blur-neuchatel.html' title='VIII. 33. Diller + Scofidio, Blur, Neuchatel 1998-2002'/><author><name>Antonino Saggio</name><uri>http://www.blogger.com/profile/07567640266002829725</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://www.arc1.uniroma1.it/saggio/0PortraitsAS/SaggioPenta.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_qHqxLEC7B-g/SjtPh5tvt3I/AAAAAAAAAgU/UU8iUMTJVA8/s72-c/1bella+copia.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4343097642395777489.post-4179270426647482253</id><published>2009-05-28T01:23:00.000+02:00</published><updated>2010-06-22T19:57:03.658+02:00</updated><title type='text'>VII. 27. Daniel Libeskind, Victoria&amp;Albert Museum, Londra 1996</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_qHqxLEC7B-g/S_7-jlWvKRI/AAAAAAAAA9g/I2tKjZWQKWo/s1600/160520091169.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="253" src="http://2.bp.blogspot.com/_qHqxLEC7B-g/S_7-jlWvKRI/AAAAAAAAA9g/I2tKjZWQKWo/s320/160520091169.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_qHqxLEC7B-g/S_7-qT1jrtI/AAAAAAAAA9o/G4ejN9QPVUE/s1600/160520091170.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/_qHqxLEC7B-g/S_7-qT1jrtI/AAAAAAAAA9o/G4ejN9QPVUE/s320/160520091170.jpg" width="212" /&gt;&lt;/a&gt;&lt;a href="http://2.bp.blogspot.com/_qHqxLEC7B-g/S_7-jlWvKRI/AAAAAAAAA9g/I2tKjZWQKWo/s1600/160520091169.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://www.youtube.com/watch?v=ZNUVRelg5n0"&gt;Buon Video&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;...Alla metà degli anni novanta un’altra grande prova. La spirale che si avvinghia nello spazio assunta al moto della crescita del sapere e della vita nell’ampliamento del Victoria&amp;amp;Albert Museum a Londra, il tempio delle arti applicate.. (p. 349)&lt;/i&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4343097642395777489-4179270426647482253?l=saggioarchitettura.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://saggioarchitettura.blogspot.com/feeds/4179270426647482253/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://saggioarchitettura.blogspot.com/2010/05/vii-27-daniel-libeskind-victoria-museum.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/4179270426647482253'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/4179270426647482253'/><link rel='alternate' type='text/html' href='http://saggioarchitettura.blogspot.com/2010/05/vii-27-daniel-libeskind-victoria-museum.html' title='VII. 27. Daniel Libeskind, Victoria&amp;Albert Museum, Londra 1996'/><author><name>Antonino Saggio</name><uri>http://www.blogger.com/profile/07567640266002829725</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://www.arc1.uniroma1.it/saggio/0PortraitsAS/SaggioPenta.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_qHqxLEC7B-g/S_7-jlWvKRI/AAAAAAAAA9g/I2tKjZWQKWo/s72-c/160520091169.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4343097642395777489.post-594426056731104275</id><published>2009-05-21T18:37:00.003+02:00</published><updated>2010-04-08T09:34:53.519+02:00</updated><title type='text'>VII. 29. Peter Eisenman, Chiesa del 2000, Roma 1996</title><content type='html'>&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://4.bp.blogspot.com/_qHqxLEC7B-g/ShWEdwkt6CI/AAAAAAAAAfg/pB3TphRbhiU/s1600-h/190520091247.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5338318580107569186" src="http://4.bp.blogspot.com/_qHqxLEC7B-g/ShWEdwkt6CI/AAAAAAAAAfg/pB3TphRbhiU/s320/190520091247.jpg" style="cursor: hand; cursor: pointer; height: 206px; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_qHqxLEC7B-g/ShWEdoJLr9I/AAAAAAAAAfY/WdhorpfxWtA/s1600-h/190520091246.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5338318577844596690" src="http://1.bp.blogspot.com/_qHqxLEC7B-g/ShWEdoJLr9I/AAAAAAAAAfY/WdhorpfxWtA/s320/190520091246.jpg" style="cursor: hand; cursor: pointer; height: 223px; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_qHqxLEC7B-g/ShWEdW-CNVI/AAAAAAAAAfQ/rVUQWqqoiPM/s1600-h/160520091118.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5338318573234435410" src="http://3.bp.blogspot.com/_qHqxLEC7B-g/ShWEdW-CNVI/AAAAAAAAAfQ/rVUQWqqoiPM/s320/160520091118.jpg" style="cursor: hand; cursor: pointer; height: 190px; width: 320px;" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;i&gt;... uno straordinario progetto, un canyon abitato dove si svolgono funzioni religiose anche teletrasmesse a distanza. Elaborato e portato avanti anche successivamente al Concorso (perso per il rassicurante progetto di Richard  Meier realizzato a Tor Tre teste) con un plastico e molti nuovi disegni curati appassionatamente dagli architetti Cristian Pongratz e Maria Rita Perbellini in quella fase collaboratori dello Studio Eisenman a New York ...&lt;/i&gt;&lt;br /&gt;&lt;div&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;Dal Capitolo 2 Processi di progettazione in Peter Eisenman&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4343097642395777489-594426056731104275?l=saggioarchitettura.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://saggioarchitettura.blogspot.com/feeds/594426056731104275/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://saggioarchitettura.blogspot.com/2009/05/peter-eisenman-chiesa-del-2000-roma.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/594426056731104275'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/594426056731104275'/><link rel='alternate' type='text/html' href='http://saggioarchitettura.blogspot.com/2009/05/peter-eisenman-chiesa-del-2000-roma.html' title='VII. 29. Peter Eisenman, Chiesa del 2000, Roma 1996'/><author><name>Antonino Saggio</name><uri>http://www.blogger.com/profile/07567640266002829725</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://www.arc1.uniroma1.it/saggio/0PortraitsAS/SaggioPenta.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_qHqxLEC7B-g/ShWEdwkt6CI/AAAAAAAAAfg/pB3TphRbhiU/s72-c/190520091247.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4343097642395777489.post-3427215628665476342</id><published>2007-02-27T13:01:00.001+01:00</published><updated>2010-02-27T13:04:49.018+01:00</updated><title type='text'>VII. 20. Claude Parent, Sainte Bernadette a Nevers del 1966</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://2.bp.blogspot.com/_qHqxLEC7B-g/S4kJf30jOgI/AAAAAAAAA0k/fqpoNHrVMd8/s1600-h/29042009933.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_qHqxLEC7B-g/S4kJf30jOgI/AAAAAAAAA0k/fqpoNHrVMd8/s320/29042009933.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;i&gt;Particolarmente interessante era stata la loro chiesa di Sainte Bernadette a Nevers del 1966 in cui trasferivano quasi direttamente un loro originale studio sui bunker tedeschi lungo le coste atlantiche. ...&lt;/i&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4343097642395777489-3427215628665476342?l=saggioarchitettura.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://saggioarchitettura.blogspot.com/feeds/3427215628665476342/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://saggioarchitettura.blogspot.com/2010/02/vii-20-claude-parent-sainte-bernadette.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/3427215628665476342'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/3427215628665476342'/><link rel='alternate' type='text/html' href='http://saggioarchitettura.blogspot.com/2010/02/vii-20-claude-parent-sainte-bernadette.html' title='VII. 20. Claude Parent, Sainte Bernadette a Nevers del 1966'/><author><name>Antonino Saggio</name><uri>http://www.blogger.com/profile/07567640266002829725</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://www.arc1.uniroma1.it/saggio/0PortraitsAS/SaggioPenta.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_qHqxLEC7B-g/S4kJf30jOgI/AAAAAAAAA0k/fqpoNHrVMd8/s72-c/29042009933.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4343097642395777489.post-7874440479306062243</id><published>2005-05-14T20:15:00.005+02:00</published><updated>2011-03-31T19:51:24.083+02:00</updated><title type='text'>V. 13. Ludwig Mies Van Der Rohe, Stadt Gallery Berlino 1962-1963</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_qHqxLEC7B-g/S0Ifv0gcz_I/AAAAAAAAApE/qvyI44AutOQ/s1600-h/25042009873.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5422931807716560882" src="http://4.bp.blogspot.com/_qHqxLEC7B-g/S0Ifv0gcz_I/AAAAAAAAApE/qvyI44AutOQ/s320/25042009873.jpg" style="cursor: hand; cursor: pointer; height: 280px; width: 394px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/_qHqxLEC7B-g/S0Ifv0gcz_I/AAAAAAAAApE/qvyI44AutOQ/s1600-h/25042009873.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;/a&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-size: 12px;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://l.yimg.com/g/images/spaceball.gif" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" src="http://l.yimg.com/g/images/spaceball.gif" style="cursor: pointer; height: 1px; width: 1px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://farm1.static.flickr.com/205/493961193_b2f50d276a.jpg?v=0" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" src="http://farm1.static.flickr.com/205/493961193_b2f50d276a.jpg?v=0" style="cursor: pointer; height: 275px; width: 394px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size: 78%;"&gt;seier+seier+seier's photostream &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;i&gt; ...Su questa strada Mies non può che inseguire archetipi antichi, come quello del tempio basamentale della sua StatGalerie, che realizza in una Berlino che ora interpreta attraverso il neoclassicismo di Schinkel ...&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;Capitolo 13. Funzioni diverse: Wright, Aalto, Gropius e Mies&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4343097642395777489-7874440479306062243?l=saggioarchitettura.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://saggioarchitettura.blogspot.com/feeds/7874440479306062243/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://saggioarchitettura.blogspot.com/2009/05/ludwig-mies-vand-der-rohe-stadt-gallery.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/7874440479306062243'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/7874440479306062243'/><link rel='alternate' type='text/html' href='http://saggioarchitettura.blogspot.com/2009/05/ludwig-mies-vand-der-rohe-stadt-gallery.html' title='V. 13. Ludwig Mies Van Der Rohe, Stadt Gallery Berlino 1962-1963'/><author><name>Antonino Saggio</name><uri>http://www.blogger.com/profile/07567640266002829725</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://www.arc1.uniroma1.it/saggio/0PortraitsAS/SaggioPenta.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_qHqxLEC7B-g/S0Ifv0gcz_I/AAAAAAAAApE/qvyI44AutOQ/s72-c/25042009873.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4343097642395777489.post-1133190409698630233</id><published>2005-05-14T20:12:00.000+02:00</published><updated>2010-02-27T12:56:03.746+01:00</updated><title type='text'>V. 13. Ludwig Mies Van Der Rohe, Seagram Building, New York 1956 ca</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.archpaper.com/images/feature_03_05/pjohnson7.jpg"&gt;&lt;img style="cursor: pointer; width: 394px; height: 500px;" src="http://www.archpaper.com/images/feature_03_05/pjohnson7.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-style:italic;"&gt;..un modello di perfezione che da allora avrà innumerevoli repliche mai all’altezza della dell’originale..&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;dal Paragrafo 13. Il paradigma vincente&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4343097642395777489-1133190409698630233?l=saggioarchitettura.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://saggioarchitettura.blogspot.com/feeds/1133190409698630233/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://saggioarchitettura.blogspot.com/2009/05/ludwig-mis-van-der-rohe-seagram.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/1133190409698630233'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/1133190409698630233'/><link rel='alternate' type='text/html' href='http://saggioarchitettura.blogspot.com/2009/05/ludwig-mis-van-der-rohe-seagram.html' title='V. 13. Ludwig Mies Van Der Rohe, Seagram Building, New York 1956 ca'/><author><name>Antonino Saggio</name><uri>http://www.blogger.com/profile/07567640266002829725</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://www.arc1.uniroma1.it/saggio/0PortraitsAS/SaggioPenta.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4343097642395777489.post-4128549805609570131</id><published>2005-02-27T13:21:00.002+01:00</published><updated>2010-03-12T17:29:56.659+01:00</updated><title type='text'>V. 15. Le Corbusier, Cappella Notre-Dame du Haut,  Ronchamp 1950-1955</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://1.bp.blogspot.com/_qHqxLEC7B-g/S4kM145SA-I/AAAAAAAAA08/VITCDCA8CHs/s1600-h/DSCF0990.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="271" src="http://1.bp.blogspot.com/_qHqxLEC7B-g/S4kM145SA-I/AAAAAAAAA08/VITCDCA8CHs/s400/DSCF0990.JPG" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;/div&gt;&lt;div style="font: 12.0px Palatino; margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; text-indent: 21.2px;"&gt;&lt;span style="letter-spacing: -0.5px;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;... in cima ad una collina sorge un muro sagomato da una parte in maniera rettilinea e dall’altra curvilinea. Delimita una cappella in cui la luce penetra da profonde e asimmetriche incisioni che fanno tesoro delle ricerche che accompagnano la pittura dell’espressionismo informale di Hartung, Vedova, Fautrier...&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 12.0px Palatino; margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; text-indent: 21.2px;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;/i&gt;&lt;/div&gt;&lt;div style="font: 12.0px Palatino; margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; text-indent: 21.2px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;dal Cap. 15. La Liberazione della forma&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 12.0px Palatino; margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; text-indent: 21.2px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: 'Lucida Grande';"&gt;&lt;span class="Apple-style-span"&gt;&lt;a href="http://www.youtube.com/watch?v=tyGdcTR92t8"&gt;Buon Video&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"&gt;&lt;span class="Apple-style-span" style="font-size: 10px; white-space: pre;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4343097642395777489-4128549805609570131?l=saggioarchitettura.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://saggioarchitettura.blogspot.com/feeds/4128549805609570131/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://saggioarchitettura.blogspot.com/2010/02/v-15-le-corbusier-cappella-notre-dame.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/4128549805609570131'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/4128549805609570131'/><link rel='alternate' type='text/html' href='http://saggioarchitettura.blogspot.com/2010/02/v-15-le-corbusier-cappella-notre-dame.html' title='V. 15. Le Corbusier, Cappella Notre-Dame du Haut,  Ronchamp 1950-1955'/><author><name>Antonino Saggio</name><uri>http://www.blogger.com/profile/07567640266002829725</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://www.arc1.uniroma1.it/saggio/0PortraitsAS/SaggioPenta.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_qHqxLEC7B-g/S4kM145SA-I/AAAAAAAAA08/VITCDCA8CHs/s72-c/DSCF0990.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4343097642395777489.post-1868911922712073421</id><published>2004-02-27T13:12:00.003+01:00</published><updated>2010-03-12T17:29:15.471+01:00</updated><title type='text'>IV. 12. Le Corbusier, Unité di abitazione, Marsiglia 1945-1952</title><content type='html'>&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"&gt;&lt;span class="Apple-style-span" style="font-size: 10px; white-space: pre;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://2.bp.blogspot.com/_qHqxLEC7B-g/S4kL6BR6YqI/AAAAAAAAA00/igJyfzNj1_s/s1600-h/050520091047.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://2.bp.blogspot.com/_qHqxLEC7B-g/S4kL6BR6YqI/AAAAAAAAA00/igJyfzNj1_s/s400/050520091047.jpg" width="303" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://4.bp.blogspot.com/_qHqxLEC7B-g/S4kL0MRs03I/AAAAAAAAA0s/VD8d12Ghwsc/s1600-h/DSCF1037.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="182" src="http://4.bp.blogspot.com/_qHqxLEC7B-g/S4kL0MRs03I/AAAAAAAAA0s/VD8d12Ghwsc/s320/DSCF1037.JPG" width="320" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: 10px; white-space: pre;"&gt;&lt;a href="http://www.youtube.com/watch?v=KZMw-yM14RQ"&gt;Buon Video&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: 'Lucida Grande'; font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-size: 11px;"&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"&gt;&lt;span class="Apple-style-span" style="font-size: 10px; white-space: pre;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4343097642395777489-1868911922712073421?l=saggioarchitettura.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://saggioarchitettura.blogspot.com/feeds/1868911922712073421/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://saggioarchitettura.blogspot.com/2010/02/iv-12-le-corbusier-unite-di-abitazione.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/1868911922712073421'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/1868911922712073421'/><link rel='alternate' type='text/html' href='http://saggioarchitettura.blogspot.com/2010/02/iv-12-le-corbusier-unite-di-abitazione.html' title='IV. 12. Le Corbusier, Unité di abitazione, Marsiglia 1945-1952'/><author><name>Antonino Saggio</name><uri>http://www.blogger.com/profile/07567640266002829725</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://www.arc1.uniroma1.it/saggio/0PortraitsAS/SaggioPenta.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_qHqxLEC7B-g/S4kL6BR6YqI/AAAAAAAAA00/igJyfzNj1_s/s72-c/050520091047.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4343097642395777489.post-4621513078499390807</id><published>2003-05-14T20:09:00.003+02:00</published><updated>2010-04-08T09:30:48.473+02:00</updated><title type='text'>III. 6. Ludwig Mies Van Der Rohe, IIT campus, Chicago, 1938 e seguenti</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_qHqxLEC7B-g/S0Iep8PzcKI/AAAAAAAAAo8/ZdrJrrq2t34/s1600-h/DSCF1035.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5422930607203381410" src="http://3.bp.blogspot.com/_qHqxLEC7B-g/S0Iep8PzcKI/AAAAAAAAAo8/ZdrJrrq2t34/s320/DSCF1035.JPG" style="height: 120px; width: 455px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/_qHqxLEC7B-g/S0Iep8PzcKI/AAAAAAAAAo8/ZdrJrrq2t34/s1600-h/DSCF1035.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_qHqxLEC7B-g/S0Iepn0egDI/AAAAAAAAAo0/5y8hpPOjPl4/s1600-h/170520091176.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5422930601720053810" src="http://1.bp.blogspot.com/_qHqxLEC7B-g/S0Iepn0egDI/AAAAAAAAAo0/5y8hpPOjPl4/s320/170520091176.jpg" style="cursor: hand; cursor: pointer; height: 190px; width: 455px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/_qHqxLEC7B-g/S0IeV-fOl7I/AAAAAAAAAok/9XzHKhPVDBk/s1600-h/DSCF1035.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://images.artnet.com/images_US/magazine/features/cassidy/cassidy9-15-05-3.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" src="http://images.artnet.com/images_US/magazine/features/cassidy/cassidy9-15-05-3.jpg" style="cursor: pointer; height: 301px; width: 455px;" /&gt;&lt;/a&gt;&lt;br /&gt;Crown Hall&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;..lascia la Germania per diventare il direttore dell’Illinois Institute of Technology di Chicago con l’incarico di progettare il piano d’insieme del nuovo campus e diversi dei suoi edifici. Con questo progetto statunitense si consuma un arretramento sensibile e drammatico della sua ricerca. Proprio chi aveva compreso come realizzare in un insieme interagente e continuo lo spazio interno e quello esterno abbandona...&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Capitolo 6. Mies Van der Rohe. Dello spazio totale &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4343097642395777489-4621513078499390807?l=saggioarchitettura.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://saggioarchitettura.blogspot.com/feeds/4621513078499390807/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://saggioarchitettura.blogspot.com/2009/05/ludwig-mies-van-der-rohe-itt-campus.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/4621513078499390807'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/4621513078499390807'/><link rel='alternate' type='text/html' href='http://saggioarchitettura.blogspot.com/2009/05/ludwig-mies-van-der-rohe-itt-campus.html' title='III. 6. Ludwig Mies Van Der Rohe, IIT campus, Chicago, 1938 e seguenti'/><author><name>Antonino Saggio</name><uri>http://www.blogger.com/profile/07567640266002829725</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://www.arc1.uniroma1.it/saggio/0PortraitsAS/SaggioPenta.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_qHqxLEC7B-g/S0Iep8PzcKI/AAAAAAAAAo8/ZdrJrrq2t34/s72-c/DSCF1035.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4343097642395777489.post-8205861655051315678</id><published>2003-05-13T18:29:00.000+02:00</published><updated>2010-02-27T12:12:09.376+01:00</updated><title type='text'>III. 11. Frank Llyod Wright, Johnson Wax Headquarters, Racine 1936-1939</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_qHqxLEC7B-g/S0IJojuh_vI/AAAAAAAAAns/tCKQ3UCwq3I/s1600-h/wrightbutta.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5422907493697322738" src="http://4.bp.blogspot.com/_qHqxLEC7B-g/S0IJojuh_vI/AAAAAAAAAns/tCKQ3UCwq3I/s320/wrightbutta.jpg" style="cursor: hand; cursor: pointer; height: 205px; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/_qHqxLEC7B-g/S0IGrZgWVDI/AAAAAAAAAnk/IerwVLwiAzk/s1600-h/wrightbutta.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_qHqxLEC7B-g/Sgr2jv4AATI/AAAAAAAAAec/kF-3SbkpHKM/s1600-h/wall.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5335347802580975922" src="http://3.bp.blogspot.com/_qHqxLEC7B-g/Sgr2jv4AATI/AAAAAAAAAec/kF-3SbkpHKM/s320/wall.JPG" style="cursor: hand; cursor: pointer; height: 221px; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/_qHqxLEC7B-g/Sgr1xRkfKnI/AAAAAAAAAeM/VF6M6SF1A1E/s1600-h/13032009662.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5335346935452609138" src="http://1.bp.blogspot.com/_qHqxLEC7B-g/Sgr1xRkfKnI/AAAAAAAAAeM/VF6M6SF1A1E/s320/13032009662.jpg" style="cursor: hand; cursor: pointer; height: 254px; width: 320px;" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;div style="font: normal normal normal 12px/normal Palatino; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left; text-indent: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: 'times new roman', serif;"&gt;&lt;span class="Apple-style-span" style="font-size: -webkit-xxx-large;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: normal normal normal 12px/normal Palatino; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left; text-indent: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;&lt;i&gt;... nell’immaginario di Wright un edificio per uffici è anche diventato una comunità vivente, pulsante, in evoluzione dinamica verso l’intorno.&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: normal normal normal 12px/normal Palatino; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left; text-indent: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;&lt;i&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-style: normal;"&gt;(dal paragrafo 11.8 "Keep Piling")&lt;/span&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: normal normal normal 12px/normal Palatino; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: left; text-indent: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif;"&gt;&lt;span class="Apple-style-span" style="font-size: -webkit-xxx-large;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: Palatino, serif; font-size: 100%;"&gt;&lt;span class="Apple-style-span" style="font-size: 13px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4343097642395777489-8205861655051315678?l=saggioarchitettura.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://saggioarchitettura.blogspot.com/feeds/8205861655051315678/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://saggioarchitettura.blogspot.com/2009/05/blog-post.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/8205861655051315678'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/8205861655051315678'/><link rel='alternate' type='text/html' href='http://saggioarchitettura.blogspot.com/2009/05/blog-post.html' title='III. 11. Frank Llyod Wright, Johnson Wax Headquarters, Racine 1936-1939'/><author><name>Antonino Saggio</name><uri>http://www.blogger.com/profile/07567640266002829725</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://www.arc1.uniroma1.it/saggio/0PortraitsAS/SaggioPenta.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_qHqxLEC7B-g/S0IJojuh_vI/AAAAAAAAAns/tCKQ3UCwq3I/s72-c/wrightbutta.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4343097642395777489.post-2749002783778526039</id><published>2003-04-08T09:47:00.000+02:00</published><updated>2010-04-13T22:20:17.010+02:00</updated><title type='text'>III. 11. Frank Lloyd Wright, Casa sulla cascata, Bear Run 1935</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_qHqxLEC7B-g/S72I0uN9uuI/AAAAAAAAA6g/3Mvtltcpvu0/s1600/13032009668.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/_qHqxLEC7B-g/S72I0uN9uuI/AAAAAAAAA6g/3Mvtltcpvu0/s400/13032009668.jpg" width="306" /&gt;&lt;/a&gt;&lt;a href="http://4.bp.blogspot.com/_qHqxLEC7B-g/S72JGXVHX0I/AAAAAAAAA6w/7rhqDglACVQ/s1600/800px-Frank_Lloyd_Wright_-_Fallingwater_exterior_5.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_qHqxLEC7B-g/S72I8S6cs7I/AAAAAAAAA6o/pBYFvwWu3M0/s1600/23042009855.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://1.bp.blogspot.com/_qHqxLEC7B-g/S72I8S6cs7I/AAAAAAAAA6o/pBYFvwWu3M0/s400/23042009855.jpg" width="235" /&gt;&lt;/a&gt;&lt;a href="http://3.bp.blogspot.com/_qHqxLEC7B-g/S72I0uN9uuI/AAAAAAAAA6g/3Mvtltcpvu0/s1600/13032009668.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_qHqxLEC7B-g/S72JzVxW5vI/AAAAAAAAA64/7mBdOp8fZFc/s1600/13032009658.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="256" src="http://3.bp.blogspot.com/_qHqxLEC7B-g/S72JzVxW5vI/AAAAAAAAA64/7mBdOp8fZFc/s400/13032009658.jpg" width="400" /&gt;&lt;/a&gt;&lt;a href="http://3.bp.blogspot.com/_qHqxLEC7B-g/S72JzVxW5vI/AAAAAAAAA64/7mBdOp8fZFc/s1600/13032009658.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;br /&gt;&lt;/a&gt;&lt;a href="http://3.bp.blogspot.com/_qHqxLEC7B-g/S72JzVxW5vI/AAAAAAAAA64/7mBdOp8fZFc/s1600/13032009658.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/div&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;... Ma insieme a questi temi la casa non è più in alcun modo associabile a icone figurative, o a contrasti armonici di forme e materiali perché esprime tensioni che senza i temi sondati da tutta la nuova arte sa rebbero incomprensibili... p. 145&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;i&gt;&lt;a href="http://www.snotr.com/video/357"&gt;Video Buono&lt;/a&gt;&amp;nbsp;(suggerito da Maria Pia Cosentino ITCaad 010)&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;11. Mr. Wright la Sovranità dell'individuo&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4343097642395777489-2749002783778526039?l=saggioarchitettura.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://saggioarchitettura.blogspot.com/feeds/2749002783778526039/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://saggioarchitettura.blogspot.com/2010/04/iii-11-frank-lloyd-wright-casa-sulla.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/2749002783778526039'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/2749002783778526039'/><link rel='alternate' type='text/html' href='http://saggioarchitettura.blogspot.com/2010/04/iii-11-frank-lloyd-wright-casa-sulla.html' title='III. 11. Frank Lloyd Wright, Casa sulla cascata, Bear Run 1935'/><author><name>Antonino Saggio</name><uri>http://www.blogger.com/profile/07567640266002829725</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://www.arc1.uniroma1.it/saggio/0PortraitsAS/SaggioPenta.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_qHqxLEC7B-g/S72I0uN9uuI/AAAAAAAAA6g/3Mvtltcpvu0/s72-c/13032009668.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4343097642395777489.post-6270235314068740976</id><published>2003-03-20T13:48:00.004+01:00</published><updated>2010-03-12T17:32:13.333+01:00</updated><title type='text'>III. 9. Alvar Aalto, Sanatorio, Paimio 1928-1934</title><content type='html'>&lt;div&gt;&lt;div style="text-align: left;"&gt;&lt;div style="text-align: left;"&gt;Sanatorio&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;a href="http://1.bp.blogspot.com/_qHqxLEC7B-g/ScORLH6rNGI/AAAAAAAAAYU/AsdT0TcNfBs/s1600/2655595226_4d936cabfe.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="" border="0" height="640" id="BLOGGER_PHOTO_ID_5315251605517055074" src="http://1.bp.blogspot.com/_qHqxLEC7B-g/ScORLH6rNGI/AAAAAAAAAYU/AsdT0TcNfBs/s640/2655595226_4d936cabfe.jpg" style="display: block; height: 400px; margin-top: 0px; text-align: left; width: 238px;" width="380" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://1.bp.blogspot.com/_qHqxLEC7B-g/ScORVaNm4oI/AAAAAAAAAYc/UBqK2MOHuH8/s1600-h/1468659942_52d8a08779.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5315251782226993794" src="http://1.bp.blogspot.com/_qHqxLEC7B-g/ScORVaNm4oI/AAAAAAAAAYc/UBqK2MOHuH8/s400/1468659942_52d8a08779.jpg" style="display: block; height: 400px; margin-bottom: 10px; margin-left: auto; margin-right: auto; margin-top: 0px; text-align: left; width: 266px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_qHqxLEC7B-g/ScORLH6rNGI/AAAAAAAAAYU/AsdT0TcNfBs/s1600-h/2655595226_4d936cabfe.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;br /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_qHqxLEC7B-g/ScORzE5iKhI/AAAAAAAAAYk/lA72q89Ln4E/s1600-h/2936136842_cd7227f910.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5315252291901729298" src="http://4.bp.blogspot.com/_qHqxLEC7B-g/ScORzE5iKhI/AAAAAAAAAYk/lA72q89Ln4E/s400/2936136842_cd7227f910.jpg" style="display: block; height: 400px; margin-bottom: 10px; margin-left: auto; margin-right: auto; margin-top: 0px; text-align: left; width: 266px;" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4343097642395777489-6270235314068740976?l=saggioarchitettura.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://saggioarchitettura.blogspot.com/feeds/6270235314068740976/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://saggioarchitettura.blogspot.com/2009/03/ii-9-alvar-aalto-sanatorio-paimio-1928.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/6270235314068740976'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/6270235314068740976'/><link rel='alternate' type='text/html' href='http://saggioarchitettura.blogspot.com/2009/03/ii-9-alvar-aalto-sanatorio-paimio-1928.html' title='III. 9. Alvar Aalto, Sanatorio, Paimio 1928-1934'/><author><name>Antonino Saggio</name><uri>http://www.blogger.com/profile/07567640266002829725</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://www.arc1.uniroma1.it/saggio/0PortraitsAS/SaggioPenta.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_qHqxLEC7B-g/ScORLH6rNGI/AAAAAAAAAYU/AsdT0TcNfBs/s72-c/2655595226_4d936cabfe.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4343097642395777489.post-9069790628074820846</id><published>2003-01-19T16:56:00.001+01:00</published><updated>2010-03-12T17:33:13.625+01:00</updated><title type='text'>III. 11. Dudley Zoo in West Midlands.Tecton Group   Berthold Lubetkin, Francis Skinner, Denys Lasdun, Godfrey Sa</title><content type='html'>&lt;a href="http://www.youtube.com/watch?v=UAJ0sW36I80"&gt;Buon Video sullo zoo Dudley &lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4343097642395777489-9069790628074820846?l=saggioarchitettura.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://saggioarchitettura.blogspot.com/feeds/9069790628074820846/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://saggioarchitettura.blogspot.com/2010/01/dudley-zoo-in-west-midlandstecton-group.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/9069790628074820846'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/9069790628074820846'/><link rel='alternate' type='text/html' href='http://saggioarchitettura.blogspot.com/2010/01/dudley-zoo-in-west-midlandstecton-group.html' title='III. 11. Dudley Zoo in West Midlands.Tecton Group   Berthold Lubetkin, Francis Skinner, Denys Lasdun, Godfrey Sa'/><author><name>Antonino Saggio</name><uri>http://www.blogger.com/profile/07567640266002829725</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://www.arc1.uniroma1.it/saggio/0PortraitsAS/SaggioPenta.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4343097642395777489.post-4648659992047516830</id><published>2003-01-04T16:36:00.002+01:00</published><updated>2010-04-08T09:34:28.411+02:00</updated><title type='text'>III. 10. Giuseppe Terragni, Asilo Sant'Elia, Como 1936-1937</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_qHqxLEC7B-g/S0IMDnEmcSI/AAAAAAAAAn0/YGmcnCgYF1c/s1600-h/20032009760.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5422910157474918690" src="http://1.bp.blogspot.com/_qHqxLEC7B-g/S0IMDnEmcSI/AAAAAAAAAn0/YGmcnCgYF1c/s320/20032009760.jpg" style="cursor: pointer; height: 420px; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/_qHqxLEC7B-g/S0IMDnEmcSI/AAAAAAAAAn0/YGmcnCgYF1c/s1600-h/20032009760.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;/a&gt;&lt;a href="http://4.bp.blogspot.com/_qHqxLEC7B-g/S0IMYYIWUII/AAAAAAAAAoE/2dqQa-BHgUk/s1600-h/cucina5.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5422910514241360002" src="http://4.bp.blogspot.com/_qHqxLEC7B-g/S0IMYYIWUII/AAAAAAAAAoE/2dqQa-BHgUk/s320/cucina5.JPG" style="cursor: hand; cursor: pointer; height: 214px; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/_qHqxLEC7B-g/S0IMYYIWUII/AAAAAAAAAoE/2dqQa-BHgUk/s1600-h/cucina5.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_qHqxLEC7B-g/S0IMYMjkaVI/AAAAAAAAAn8/wIXk1jQyXvY/s1600-h/20032009759.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5422910511134304594" src="http://1.bp.blogspot.com/_qHqxLEC7B-g/S0IMYMjkaVI/AAAAAAAAAn8/wIXk1jQyXvY/s320/20032009759.jpg" style="cursor: hand; cursor: pointer; height: 240px; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;div style="font: 12.0px Palatino; margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; text-indent: 21.2px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 130%;"&gt;&lt;span class="Apple-style-span" style="font-size: 16px;"&gt;&lt;span class="Apple-style-span" style="font-family: Palatino, serif; font-size: 100%;"&gt;&lt;span class="Apple-style-span" style="font-size: 12px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;i&gt;L’archetipo originale, il blocco compatto, e con esso la rigida divisione in tre fasce, vengono così pervase da una profonda riconsiderazione per le esigenze di una natura assunta a parametro oggettivo (di luce, di aria, di protezione), ma anche di ispirazione.&lt;/i&gt;&lt;br /&gt;&lt;div&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;Dal paragrafo 10.9 L’asilo Sant’Elia. Oltre il funzionalismo&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.youtube.com/watch?v=U2SRZtdFlgk"&gt;video youtube&lt;/a&gt;&amp;nbsp;(individuarne uno migliore)&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4343097642395777489-4648659992047516830?l=saggioarchitettura.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://saggioarchitettura.blogspot.com/feeds/4648659992047516830/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://saggioarchitettura.blogspot.com/2010/01/10-giuseppe-terragni-asilo-santelia.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/4648659992047516830'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/4648659992047516830'/><link rel='alternate' type='text/html' href='http://saggioarchitettura.blogspot.com/2010/01/10-giuseppe-terragni-asilo-santelia.html' title='III. 10. Giuseppe Terragni, Asilo Sant&apos;Elia, Como 1936-1937'/><author><name>Antonino Saggio</name><uri>http://www.blogger.com/profile/07567640266002829725</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://www.arc1.uniroma1.it/saggio/0PortraitsAS/SaggioPenta.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_qHqxLEC7B-g/S0IMDnEmcSI/AAAAAAAAAn0/YGmcnCgYF1c/s72-c/20032009760.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4343097642395777489.post-3598274657302747227</id><published>2002-05-14T20:26:00.000+02:00</published><updated>2010-02-27T12:53:51.180+01:00</updated><title type='text'>II. 6. Ludwig Mies Van Der Rohe, Uffici nella Friedrichstrasse, Berlino 1919</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_qHqxLEC7B-g/S0IjcU4yMRI/AAAAAAAAApk/-kWfpu-cvMQ/s1600-h/DSCF1104.JPG"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 231px; height: 320px;" src="http://4.bp.blogspot.com/_qHqxLEC7B-g/S0IjcU4yMRI/AAAAAAAAApk/-kWfpu-cvMQ/s320/DSCF1104.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5422935870857687314" /&gt;&lt;/a&gt;&lt;div&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_qHqxLEC7B-g/S0IjcU4yMRI/AAAAAAAAApk/-kWfpu-cvMQ/s1600-h/DSCF1104.JPG"&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.eikongraphia.com/wordpress/wp-content/1%20Mies%20van%20der%20Rohe%20-%20Ontwerp%20Friedrichstrasse%201919.jpg"&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_qHqxLEC7B-g/S0Ijc_dzBnI/AAAAAAAAAps/njhmXDbjlwM/s1600-h/DSCF1103.JPG"&gt;&lt;img src="http://3.bp.blogspot.com/_qHqxLEC7B-g/S0Ijc_dzBnI/AAAAAAAAAps/njhmXDbjlwM/s320/DSCF1103.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5422935882287220338" style="cursor: pointer; width: 320px; height: 289px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_qHqxLEC7B-g/S0Ijc_dzBnI/AAAAAAAAAps/njhmXDbjlwM/s1600-h/DSCF1103.JPG"&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;Nell’andamento appuntito del perimetro il disegno ricorda quelli delle antiche fortificazioni rinascimentali: lo scopo è infatti la massimizzazione delle superfici esterne per aumentare le pareti illuminanti e per moltiplicare le viste.&lt;br /&gt;&lt;br /&gt;Dal Capitolo 6. Mies Van der Rohe. Dello spazio totale&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4343097642395777489-3598274657302747227?l=saggioarchitettura.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://saggioarchitettura.blogspot.com/feeds/3598274657302747227/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://saggioarchitettura.blogspot.com/2009/05/mies-due-grattacieli.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/3598274657302747227'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/3598274657302747227'/><link rel='alternate' type='text/html' href='http://saggioarchitettura.blogspot.com/2009/05/mies-due-grattacieli.html' title='II. 6. Ludwig Mies Van Der Rohe, Uffici nella Friedrichstrasse, Berlino 1919'/><author><name>Antonino Saggio</name><uri>http://www.blogger.com/profile/07567640266002829725</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://www.arc1.uniroma1.it/saggio/0PortraitsAS/SaggioPenta.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_qHqxLEC7B-g/S0IjcU4yMRI/AAAAAAAAApk/-kWfpu-cvMQ/s72-c/DSCF1104.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4343097642395777489.post-941205849327871716</id><published>2002-04-22T10:35:00.000+02:00</published><updated>2011-05-17T21:51:31.572+02:00</updated><title type='text'>II. 7. Ludwig Mies vand Der Rohe et al, Siedlung Weisenhof, Stoccarda 1927</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-Rh1yo2gqJvs/TbE8II2AmjI/AAAAAAAABKg/ZRvIyNdO6so/s1600/IMG_3034.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="239" src="http://3.bp.blogspot.com/-Rh1yo2gqJvs/TbE8II2AmjI/AAAAAAAABKg/ZRvIyNdO6so/s320/IMG_3034.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-Rh1yo2gqJvs/TbE8II2AmjI/AAAAAAAABKg/ZRvIyNdO6so/s1600/IMG_3034.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;/a&gt;&lt;a href="http://4.bp.blogspot.com/-C8NpveUsyR4/TbE8I-DkvjI/AAAAAAAABKk/UDJ2YgUs9mE/s1600/IMG_3042.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://4.bp.blogspot.com/-C8NpveUsyR4/TbE8I-DkvjI/AAAAAAAABKk/UDJ2YgUs9mE/s320/IMG_3042.jpg" width="239" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-qSfTtEfBiAU/TbE8Jr34mtI/AAAAAAAABKo/zhPGSmLzsDU/s1600/Foto-4.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="238" src="http://2.bp.blogspot.com/-qSfTtEfBiAU/TbE8Jr34mtI/AAAAAAAABKo/zhPGSmLzsDU/s320/Foto-4.JPG" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;Top Mies, Block center view of the Siedlung, Bottom, Le Corbusier. All pictures quote: by Antonino Saggio, &lt;i&gt;Architettura e Modernità&lt;/i&gt;, Carocci 2010&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;i&gt;Mies comincia a studiare il piano del quartiere attraverso un plastico che esprime in una dimensione urbanistica la sua concezione spaziale: un insieme di piastre di uno o due piani completamente astratte (riuscirà anche nella realizzazione ad uniformare le coperturein lastre piane e il colore nel bianco) che non seguono allineamenti preordinati, ma segmentano lo spazio lasciando ﬂuire un invaso sull’altro ... p. 83&lt;/i&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4343097642395777489-941205849327871716?l=saggioarchitettura.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://saggioarchitettura.blogspot.com/feeds/941205849327871716/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://saggioarchitettura.blogspot.com/2011/04/ii-7-ludwig-mies-vand-der-rohe-et-al.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/941205849327871716'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/941205849327871716'/><link rel='alternate' type='text/html' href='http://saggioarchitettura.blogspot.com/2011/04/ii-7-ludwig-mies-vand-der-rohe-et-al.html' title='II. 7. Ludwig Mies vand Der Rohe et al, Siedlung Weisenhof, Stoccarda 1927'/><author><name>Antonino Saggio</name><uri>http://www.blogger.com/profile/07567640266002829725</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://www.arc1.uniroma1.it/saggio/0PortraitsAS/SaggioPenta.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-Rh1yo2gqJvs/TbE8II2AmjI/AAAAAAAABKg/ZRvIyNdO6so/s72-c/IMG_3034.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4343097642395777489.post-7687524583857458206</id><published>2002-03-24T09:01:00.004+01:00</published><updated>2010-04-08T09:26:37.686+02:00</updated><title type='text'>II. 2  Walter Gropius, Edificio del Bauhaus, Dessau 1925-1926</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_qHqxLEC7B-g/SgnXHCk-uiI/AAAAAAAAAdA/MgucERNnojg/s1600-h/DSCF1105.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="" border="0" height="400" id="BLOGGER_PHOTO_ID_5335031749548096034" src="http://2.bp.blogspot.com/_qHqxLEC7B-g/SgnXHCk-uiI/AAAAAAAAAdA/MgucERNnojg/s400/DSCF1105.JPG" style="height: 320px; width: 211px;" width="263" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_qHqxLEC7B-g/SgnWx0Msu3I/AAAAAAAAAc4/0zA_w2ITo-g/s1600-h/23e.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5335031384910904178" src="http://3.bp.blogspot.com/_qHqxLEC7B-g/SgnWx0Msu3I/AAAAAAAAAc4/0zA_w2ITo-g/s320/23e.jpg" style="cursor: hand; cursor: pointer; height: 218px; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_qHqxLEC7B-g/SgnWZuUJE0I/AAAAAAAAAcw/Di-Jt5MXqro/s1600-h/23.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5335030971014648642" src="http://3.bp.blogspot.com/_qHqxLEC7B-g/SgnWZuUJE0I/AAAAAAAAAcw/Di-Jt5MXqro/s320/23.jpg" style="cursor: hand; cursor: pointer; height: 320px; width: 215px;" /&gt;&lt;/a&gt;   &lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;a href="http://vodpod.com/watch/504209-bauhaus"&gt;Video eccezionale&lt;/a&gt;&lt;br /&gt;Suggerito da&amp;nbsp;Mehmet Sinan Bermek (ITCaad 09)&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4343097642395777489-7687524583857458206?l=saggioarchitettura.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://saggioarchitettura.blogspot.com/feeds/7687524583857458206/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://saggioarchitettura.blogspot.com/2009/03/i-2-walter-gropius-edificio-del-bauhaus.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/7687524583857458206'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/7687524583857458206'/><link rel='alternate' type='text/html' href='http://saggioarchitettura.blogspot.com/2009/03/i-2-walter-gropius-edificio-del-bauhaus.html' title='II. 2  Walter Gropius, Edificio del Bauhaus, Dessau 1925-1926'/><author><name>Antonino Saggio</name><uri>http://www.blogger.com/profile/07567640266002829725</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://www.arc1.uniroma1.it/saggio/0PortraitsAS/SaggioPenta.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_qHqxLEC7B-g/SgnXHCk-uiI/AAAAAAAAAdA/MgucERNnojg/s72-c/DSCF1105.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4343097642395777489.post-456917373135829784</id><published>2002-01-21T17:24:00.000+01:00</published><updated>2010-02-27T12:46:48.089+01:00</updated><title type='text'>II. 4 Cornelis van Eesteren and Theo van Doesburg</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://upload.wikimedia.org/wikipedia/commons/thumb/e/e4/Cornelis_van_Eesteren_and_Theo_van_Doesburg_2.jpg/435px-Cornelis_van_Eesteren_and_Theo_van_Doesburg_2.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 435px; height: 599px;" src="http://upload.wikimedia.org/wikipedia/commons/thumb/e/e4/Cornelis_van_Eesteren_and_Theo_van_Doesburg_2.jpg/435px-Cornelis_van_Eesteren_and_Theo_van_Doesburg_2.jpg" border="0" alt="" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:sans-serif, serif;"&gt;&lt;span class="Apple-style-span"  style=" line-height: 19px; -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px;font-size:-webkit-xxx-large;"&gt;&lt;span class="Apple-style-span"   style="font-family:Georgia, serif;font-size:130%;"&gt;&lt;span class="Apple-style-span"  style=" line-height: normal; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px;font-size:16px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;Anonymous. Théo van Doesburg (right) and C. van Eesteren (left) working on their architectural models in their studio in Paris. 1923. Photo. Rotterdam, Netherlands Architecture Institute.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4343097642395777489-456917373135829784?l=saggioarchitettura.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://saggioarchitettura.blogspot.com/feeds/456917373135829784/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://saggioarchitettura.blogspot.com/2010/01/cornelis-van-eesteren-and-theo-van.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/456917373135829784'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/456917373135829784'/><link rel='alternate' type='text/html' href='http://saggioarchitettura.blogspot.com/2010/01/cornelis-van-eesteren-and-theo-van.html' title='II. 4 Cornelis van Eesteren and Theo van Doesburg'/><author><name>Antonino Saggio</name><uri>http://www.blogger.com/profile/07567640266002829725</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://www.arc1.uniroma1.it/saggio/0PortraitsAS/SaggioPenta.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4343097642395777489.post-6311804853266351516</id><published>2002-01-04T18:10:00.000+01:00</published><updated>2010-02-27T12:47:11.724+01:00</updated><title type='text'>II. 6. Ludwig Mies Van der Rohe, Grattacielo di vetro, Berlino 1921</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_qHqxLEC7B-g/S0Ihbz5T3nI/AAAAAAAAApU/5J3ih5kFcB0/s1600-h/18.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 211px; height: 320px;" src="http://3.bp.blogspot.com/_qHqxLEC7B-g/S0Ihbz5T3nI/AAAAAAAAApU/5J3ih5kFcB0/s320/18.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5422933662978268786" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_qHqxLEC7B-g/S0IhbrI3o0I/AAAAAAAAApM/puUJc0ozwMM/s1600-h/20022009603.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 320px; height: 261px;" src="http://2.bp.blogspot.com/_qHqxLEC7B-g/S0IhbrI3o0I/AAAAAAAAApM/puUJc0ozwMM/s320/20022009603.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5422933660627608386" /&gt;&lt;/a&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_qHqxLEC7B-g/S0IhbrI3o0I/AAAAAAAAApM/puUJc0ozwMM/s1600-h/20022009603.jpg"&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_qHqxLEC7B-g/S0IhbrI3o0I/AAAAAAAAApM/puUJc0ozwMM/s1600-h/20022009603.jpg"&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-style:italic;"&gt;Visto in pianta, lo schema si definirebbe un’ameba ancorata a due cerniere legate da una cinghia di distribuzione (i nuclei di servizio in questo caso sono due e hanno forma circolare). Di questo edificio, Mies realizzò un grande e bellissimo modello: per presentare la strabiliante idea, che verrà parzialmente realizzata da altri mezzo secolo dopo e per verificare trasparenze, rifrangenze, riflessioni e l’illuminazione ...&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Dal Capitolo 6. Mies Van der Rohe. Dello spazio totale&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4343097642395777489-6311804853266351516?l=saggioarchitettura.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://saggioarchitettura.blogspot.com/feeds/6311804853266351516/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://saggioarchitettura.blogspot.com/2010/01/5-ludwig-mies-van-der-rohe-glass.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/6311804853266351516'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/6311804853266351516'/><link rel='alternate' type='text/html' href='http://saggioarchitettura.blogspot.com/2010/01/5-ludwig-mies-van-der-rohe-glass.html' title='II. 6. Ludwig Mies Van der Rohe, Grattacielo di vetro, Berlino 1921'/><author><name>Antonino Saggio</name><uri>http://www.blogger.com/profile/07567640266002829725</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://www.arc1.uniroma1.it/saggio/0PortraitsAS/SaggioPenta.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_qHqxLEC7B-g/S0Ihbz5T3nI/AAAAAAAAApU/5J3ih5kFcB0/s72-c/18.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4343097642395777489.post-7527368668226429321</id><published>2002-01-04T17:35:00.003+01:00</published><updated>2011-09-19T21:39:04.975+02:00</updated><title type='text'>II. 6. Ludwig Mies vand Der Rohe, Villa Tugendhat, Brno 1928-1929</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;a href="http://www.dailyicon.net/magazine/wp-content/uploads/2008/07/tugendhat05dailyicon.jpg"&gt;&lt;img alt="" border="0" src="http://www.dailyicon.net/magazine/wp-content/uploads/2008/07/tugendhat05dailyicon.jpg" style="cursor: hand; cursor: pointer; height: 355px; width: 500px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://www.dailyicon.net/magazine/wp-content/uploads/2008/07/tugendhat05dailyicon.jpg"&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Capitolo 6. Mies Van der Rohe. Dello spazio totale&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4343097642395777489-7527368668226429321?l=saggioarchitettura.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://saggioarchitettura.blogspot.com/feeds/7527368668226429321/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://saggioarchitettura.blogspot.com/2010/01/cpitolo-6.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/7527368668226429321'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/7527368668226429321'/><link rel='alternate' type='text/html' href='http://saggioarchitettura.blogspot.com/2010/01/cpitolo-6.html' title='II. 6. Ludwig Mies vand Der Rohe, Villa Tugendhat, Brno 1928-1929'/><author><name>Antonino Saggio</name><uri>http://www.blogger.com/profile/07567640266002829725</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://www.arc1.uniroma1.it/saggio/0PortraitsAS/SaggioPenta.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4343097642395777489.post-2636801120340986667</id><published>2002-01-04T17:11:00.000+01:00</published><updated>2010-02-27T12:48:32.120+01:00</updated><title type='text'>II. 5. Erich Mendelsohn, Cinema Universum, Berlino 1926-1928</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_qHqxLEC7B-g/S0IU8t2cMRI/AAAAAAAAAoc/MTTW1YGVWK0/s1600-h/universum.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 220px; height: 320px;" src="http://3.bp.blogspot.com/_qHqxLEC7B-g/S0IU8t2cMRI/AAAAAAAAAoc/MTTW1YGVWK0/s320/universum.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5422919934640140562" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://homepage.mac.com/acam.bilbao/alemania1/Obras/images/Universum2.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 505px; height: 284px;" src="http://homepage.mac.com/acam.bilbao/alemania1/Obras/images/Universum2.jpg" border="0" alt="" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.laits.utexas.edu/berlin/images/buildings/07Kurfurstendamm/c135_ErichMend.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 350px;" src="http://www.laits.utexas.edu/berlin/images/buildings/07Kurfurstendamm/c135_ErichMend.jpg" border="0" alt="" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-style:italic;"&gt; ... e nello stesso cinema Universum che costruirà a Berlino, il mondo di Mendelsohn ha tangenze con le ricerche costruttiviste. I volumi, in questi casi, conservano una autonomia figurativa e plastica e presentano alcuni montaggi per sovrapposizione o incastro. Sono spinte divergenti. Come legare infatti la sconnessione per piani agli assemblaggi per volumi?&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Dal Capitolo 5.Mendelsohn. Lo spazio curvo&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4343097642395777489-2636801120340986667?l=saggioarchitettura.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://saggioarchitettura.blogspot.com/feeds/2636801120340986667/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://saggioarchitettura.blogspot.com/2010/01/blog-post.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/2636801120340986667'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/2636801120340986667'/><link rel='alternate' type='text/html' href='http://saggioarchitettura.blogspot.com/2010/01/blog-post.html' title='II. 5. Erich Mendelsohn, Cinema Universum, Berlino 1926-1928'/><author><name>Antonino Saggio</name><uri>http://www.blogger.com/profile/07567640266002829725</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://www.arc1.uniroma1.it/saggio/0PortraitsAS/SaggioPenta.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_qHqxLEC7B-g/S0IU8t2cMRI/AAAAAAAAAoc/MTTW1YGVWK0/s72-c/universum.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4343097642395777489.post-4064171409863767864</id><published>2002-01-04T16:52:00.003+01:00</published><updated>2010-04-23T10:07:50.038+02:00</updated><title type='text'>II. 5. Erich Mendelsohn, Rinnovo della sede del 'Berliner Tageblatt', Berlino 1921-1923</title><content type='html'>&lt;a href="http://www.archinect.com/images/uploads/tageblatt.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" src="http://www.archinect.com/images/uploads/tageblatt.jpg" style="cursor: hand; cursor: pointer; height: 400px; width: 400px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://www.archinect.com/images/uploads/tageblatt.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_qHqxLEC7B-g/S0IPWtkeGAI/AAAAAAAAAoU/dse5tA0P9vk/s1600-h/69.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" height="400" id="BLOGGER_PHOTO_ID_5422913784171599874" src="http://1.bp.blogspot.com/_qHqxLEC7B-g/S0IPWtkeGAI/AAAAAAAAAoU/dse5tA0P9vk/s400/69.jpg" style="height: 520px; width: 400px;" width="262" /&gt;&lt;/a&gt;.&lt;a href="http://1.bp.blogspot.com/_qHqxLEC7B-g/S0IPWQd7qfI/AAAAAAAAAoM/BWgTh0I9MKo/s1600-h/68.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5422913776359549426" src="http://1.bp.blogspot.com/_qHqxLEC7B-g/S0IPWQd7qfI/AAAAAAAAAoM/BWgTh0I9MKo/s320/68.jpg" style="height: 520px; width: 400px;" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;br /&gt;Nel 1923 Mendelsohn aveva completato l’ampliamento della sede del giornale "Berliner Tageblatt" con un’architettura che pare preludere alle immagini del film Metropolis di Fritz Lang. Mendelsohn sfonda l’angolo dell’edificio preesistente per farvi penetrare il nuovo corpo (più alto di due piani sui fianchi e di tre all’angolo) come una spaventosa chiglia di nave&lt;/i&gt;&lt;br /&gt;&lt;div style="font: 12.0px Palatino; margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font: 12.0px Palatino; margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;dal paragrafo 5. Mendelsohn. Lo spazio curvo&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: Palatino, serif; font-size: 130%;"&gt;&lt;span class="Apple-style-span" style="font-size: 14px;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4343097642395777489-4064171409863767864?l=saggioarchitettura.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://saggioarchitettura.blogspot.com/feeds/4064171409863767864/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://saggioarchitettura.blogspot.com/2010/01/5-erich-mendelsohn-rinnovo-della-sede.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/4064171409863767864'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/4064171409863767864'/><link rel='alternate' type='text/html' href='http://saggioarchitettura.blogspot.com/2010/01/5-erich-mendelsohn-rinnovo-della-sede.html' title='II. 5. Erich Mendelsohn, Rinnovo della sede del &apos;Berliner Tageblatt&apos;, Berlino 1921-1923'/><author><name>Antonino Saggio</name><uri>http://www.blogger.com/profile/07567640266002829725</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://www.arc1.uniroma1.it/saggio/0PortraitsAS/SaggioPenta.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_qHqxLEC7B-g/S0IPWtkeGAI/AAAAAAAAAoU/dse5tA0P9vk/s72-c/69.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4343097642395777489.post-3616657169519214313</id><published>2001-05-13T05:03:00.000+02:00</published><updated>2010-02-27T12:11:38.093+01:00</updated><title type='text'>I. 1. Walter Gropius, Officine Fagus, Alfed an der Leine 1912</title><content type='html'>&lt;div&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_qHqxLEC7B-g/Sgo4_Cb1dWI/AAAAAAAAAdo/dgG9JKJI05c/s1600-h/20i.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5335139364210308450" src="http://2.bp.blogspot.com/_qHqxLEC7B-g/Sgo4_Cb1dWI/AAAAAAAAAdo/dgG9JKJI05c/s320/20i.jpg" style="cursor: pointer; height: 214px; width: 320px;" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://1.bp.blogspot.com/_qHqxLEC7B-g/Sgo_1AJYxVI/AAAAAAAAAeA/yONBBTCbsCk/s1600-h/image_fagus_werk_front_2008.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5335146888378762578" src="http://1.bp.blogspot.com/_qHqxLEC7B-g/Sgo_1AJYxVI/AAAAAAAAAeA/yONBBTCbsCk/s400/image_fagus_werk_front_2008.jpg" style="cursor: hand; cursor: pointer; height: 176px; width: 400px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_qHqxLEC7B-g/Sgo_PoYgGxI/AAAAAAAAAdw/gPXdQ965BpE/s1600-h/02.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5335146246344547090" src="http://3.bp.blogspot.com/_qHqxLEC7B-g/Sgo_PoYgGxI/AAAAAAAAAdw/gPXdQ965BpE/s400/02.jpg" style="cursor: hand; cursor: pointer; height: 400px; width: 262px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4343097642395777489-3616657169519214313?l=saggioarchitettura.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://saggioarchitettura.blogspot.com/feeds/3616657169519214313/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://saggioarchitettura.blogspot.com/2009/05/i-1-walter-gropius-officine-fagus-alfed.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/3616657169519214313'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/3616657169519214313'/><link rel='alternate' type='text/html' href='http://saggioarchitettura.blogspot.com/2009/05/i-1-walter-gropius-officine-fagus-alfed.html' title='I. 1. Walter Gropius, Officine Fagus, Alfed an der Leine 1912'/><author><name>Antonino Saggio</name><uri>http://www.blogger.com/profile/07567640266002829725</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://www.arc1.uniroma1.it/saggio/0PortraitsAS/SaggioPenta.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_qHqxLEC7B-g/Sgo4_Cb1dWI/AAAAAAAAAdo/dgG9JKJI05c/s72-c/20i.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4343097642395777489.post-2498938020245480768</id><published>2001-05-12T22:37:00.000+02:00</published><updated>2010-02-27T12:10:35.603+01:00</updated><title type='text'>I. 1. Adolf Loos, Casa Steiner, Vienna 1910</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_qHqxLEC7B-g/Sgnj8HqdMiI/AAAAAAAAAdY/PINw0BFmNA0/s1600-h/last09.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5335045855585841698" src="http://1.bp.blogspot.com/_qHqxLEC7B-g/Sgnj8HqdMiI/AAAAAAAAAdY/PINw0BFmNA0/s320/last09.jpg" style="cursor: hand; cursor: pointer; height: 320px; width: 181px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_qHqxLEC7B-g/SgnjCcqL-uI/AAAAAAAAAdQ/BxKlyRrYh88/s1600-h/last04.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5335044864789445346" src="http://4.bp.blogspot.com/_qHqxLEC7B-g/SgnjCcqL-uI/AAAAAAAAAdQ/BxKlyRrYh88/s320/last04.jpg" style="cursor: hand; cursor: pointer; height: 320px; width: 240px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_qHqxLEC7B-g/SgneZcjUroI/AAAAAAAAAdI/RCKY26ispR4/s1600-h/9.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5335039762339507842" src="http://1.bp.blogspot.com/_qHqxLEC7B-g/SgneZcjUroI/AAAAAAAAAdI/RCKY26ispR4/s320/9.jpg" style="cursor: hand; cursor: pointer; height: 246px; width: 320px;" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4343097642395777489-2498938020245480768?l=saggioarchitettura.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://saggioarchitettura.blogspot.com/feeds/2498938020245480768/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://saggioarchitettura.blogspot.com/2009/05/i-1-adolf-loos-casa-steiner-vienna-1910.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/2498938020245480768'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/2498938020245480768'/><link rel='alternate' type='text/html' href='http://saggioarchitettura.blogspot.com/2009/05/i-1-adolf-loos-casa-steiner-vienna-1910.html' title='I. 1. Adolf Loos, Casa Steiner, Vienna 1910'/><author><name>Antonino Saggio</name><uri>http://www.blogger.com/profile/07567640266002829725</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://www.arc1.uniroma1.it/saggio/0PortraitsAS/SaggioPenta.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_qHqxLEC7B-g/Sgnj8HqdMiI/AAAAAAAAAdY/PINw0BFmNA0/s72-c/last09.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4343097642395777489.post-4708331748064045287</id><published>2000-02-27T13:03:00.000+01:00</published><updated>2010-02-27T13:03:28.874+01:00</updated><title type='text'>I. 1. Charles Dutert et al , Galleria delle Macchine, Mostra Universale, Parigi,  1887-1889</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_qHqxLEC7B-g/SqqFcdvqgwI/AAAAAAAAAi4/E-Kpi3HDLKY/s1600-h/1.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5380259428914856706" src="http://4.bp.blogspot.com/_qHqxLEC7B-g/SqqFcdvqgwI/AAAAAAAAAi4/E-Kpi3HDLKY/s400/1.jpg" style="cursor: hand; cursor: pointer; height: 400px; width: 304px;" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4343097642395777489-4708331748064045287?l=saggioarchitettura.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://saggioarchitettura.blogspot.com/feeds/4708331748064045287/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://saggioarchitettura.blogspot.com/2009/09/i-1-charles-dutert-et-al-galleria-delle.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/4708331748064045287'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/4708331748064045287'/><link rel='alternate' type='text/html' href='http://saggioarchitettura.blogspot.com/2009/09/i-1-charles-dutert-et-al-galleria-delle.html' title='I. 1. Charles Dutert et al , Galleria delle Macchine, Mostra Universale, Parigi,  1887-1889'/><author><name>Antonino Saggio</name><uri>http://www.blogger.com/profile/07567640266002829725</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://www.arc1.uniroma1.it/saggio/0PortraitsAS/SaggioPenta.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_qHqxLEC7B-g/SqqFcdvqgwI/AAAAAAAAAi4/E-Kpi3HDLKY/s72-c/1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4343097642395777489.post-3246924209050743819</id><published>1999-02-27T13:36:00.001+01:00</published><updated>2010-02-28T10:23:02.849+01:00</updated><title type='text'>0.0. Indice dei Nomi</title><content type='html'>&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_qHqxLEC7B-g/S4kSSiZUY0I/AAAAAAAAA1E/NKTO7mkxu6I/s1600-h/28022009640.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="286" src="http://2.bp.blogspot.com/_qHqxLEC7B-g/S4kSSiZUY0I/AAAAAAAAA1E/NKTO7mkxu6I/s400/28022009640.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Aalto Alvar (1898–1976), 18, 104-11, 146, 166-8, 170, 172, 177, 184, 189, 280, 353, 363&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Acconci Vito (1940–), 352&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Adler Dankmar (1844–1900), 128&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Adorno Theodor (1903–1969), 215&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Agostino d’Ippona (354–430), 403&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Albini Franco (1905–1977), 114, 205-6, 360&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Alexander Christopher (1936–), 203, 225, 240, 258, 263&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Allen John (1929–), 200, 364-5, 440&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Ambasz Emilio (1943–), 363&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Ando Tadao (1941–), 272&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Andrä Wolfhart (1914–1996), 252&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Anselmi Alessandro (1934–), 302-4&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Antonioni Michelangelo (1912– 2007), 249&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Aprile Nello, 151, 157&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Arad Ron (1951–), 430&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Araya Masato, 434-5&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Argan Giulio Carlo (1909–1992), 264, 295&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Armstrong Neil (1930–), 249&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Arnolfo di Cambio (1240–1302), 207&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Arp Jean Hans (1886–1966), 59, 60&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Artaria Paul (1892–1959), 88&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Asplund Gunnar (1885–1940), 106, 185, 189&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Augustine Margaret (1953–), 364&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 11.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Aymonino Carlo (1926–), 221, 239-40, 302&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 11.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 22.6px; text-indent: -22.7px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Bacon Edmund (1910–2005), 229, 157&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Badiali Carla(1907–1992), 115&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Baggage Charles (1791–1871), 26&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Bakema Jakob (1914–1981), 225&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Baker Benjamin (1840–1907), 26&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Balla Giacomo (1871–1958), 33-4, 43, 321, 380, 383, 390&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Balmond Cecil (1943–), 434-5&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Banﬁ Gian Luigi (1910–1945), 114, 206&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Banham Reyner (1922–1988), 204, 220&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Bardi Pietro Maria (1900–1999), 113, 116, 118&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Barnes Edward Larrabee (1915–2004), 237&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Baroni Nello (1906–1958), 113&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Barthes Roland (1915–1980), 266&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Basaldella Mirko (1910–1969), 151, 157&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Basile Ernesto (1857–1932), 28&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Bass Edward (1945–), 364&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Bateson Gregory (1904–1980), 440&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Battisti Emilio (1938–), 219&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Baudelaire Charles (1821–1867), 25, 42&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Behne Adolf (1885–1948), 61&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Behnisch Günther (1922–), 252, 342-3&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Behrens Peter (1868–1940), 28, 31, 34, 36, 83, 127&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Belgiojoso Lodovico Barbiano (1909–2004), 114, 206&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Bell Alexander Graham (1847–1922), 26, 116&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Benevolo Leonardo (1923–), 204&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Benjamin Walter (1892–1940), 149&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Berardi Pier Niccolò (1904–1989), 113&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Bergson Henri (1859–1941), 351&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Berkeley Busby (1895–1976), 102&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Berlage Hendrik Petrus (1856–1934), 28-9, 32&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Bernhard Karl (1859–1937), 31&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Bernini Gian Lorenzo (1598–1680), 367&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Beuys Joseph (1921–1986), 264&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Bianconi Roberto (1939–), 273&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Birkerts Gunnar (1925–), 282&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Blake Peter (1932–), 275, 330&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Blazica Claudio (1956–2002), 410&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Bloc André (1896–1966), 252&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Blomstedt Paul Ernesti (1900–1935), 106&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Boccioni Umberto (1882–1916), 33-4, 43, 390-1&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Bogliardi Oreste (1900–1968), 116&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Bohigas Oriol (1925–), 360-1&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Bonito Oliva Achille (1939), 264&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Bontempelli Massimo (1878–1960), 114&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Borromini Francesco (1599–1667), 207, 367&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Bos Caroline (1959–), 417&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Botta Mario (1943–), 272-3&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Bourgeois Victor (1897–1962), 88&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Boyarsky Alvin (1928–1990), 371&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Bozo Dominique (1935–1993), 377&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Braghieri Gianni (1945–), 240&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Branzi Andrea (1938–), 434-5&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Braque George (1882–1963), 43, 132, 321&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Breuer Marcel (1902–1981), 172&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Brinkman Michiel (1873–1925), 92&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Brown Neave (1929–), 221, 228&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Brownson Jacques (1923–1994), 169&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Brunel Isambard Kingdom (1806–1859), 26&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Brunelleschi Filippo (1377–1446), 402&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Bryggman Erik (1891–1955), 106&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Buckminster Fuller Richard (1895–1983), 200-202, 215, 240, 364, 436, 440&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Buren Daniel (1938–), 298&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Burri Alberto (1915–1995), 158, 198, 321&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Burry Mark (1957–), 429&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Cadere André (1934–1978), 264&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Cage John (1912–1992), 73, 389&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Calatrava Santiago (1951–), 366, 368-70, 380&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Calcaprina Cino, 151, 157&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Campi Mario (1936–), 272-3&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Candela Félix (1910–1997), 180, 182, 189, 367&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Candilis George (1913–1995), 225, 258&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; min-height: 13.0px; text-indent: -11.3px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Cappai Iginio (1932–1999), 211-2&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Caravaggio (Michelangelo da) (1571–1610), 402&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Cardelli Aldo, 151, 157&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Carrà Carlo (1881–1966), 115-6, 120&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Carroll Lewis (1832–1898), 409&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Cattaneo Cesare (1912–1943), 115, 269&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Celli Carlo (1936–), 222&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Cerdà Ildefonso (1815–1876), 89&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Cereghini Mario (1903–1966), 115&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Cézanne Paul (1839–1906), 25, 40-1, 47, 117, 132&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Chalk Warren 1927–1988, 200&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Chareau Pierre (1883–1950), 88, 374&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Che Guevara Ernesto (1928–1967), 249&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Cheeseman Georgie, 255&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Cheesman Wendy, 255&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Chemetov Paul (1928–), 359&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Chernikhov Yakov Georgievich (1889–1951), 65-66&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Chevalier Miguel (1959–), 431&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Chomsky Noam (1928–), 266-7&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Christo Vladimirov Javašev 1935–, 295, 296&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Christo Jeanne-Claude Denat de Guillebon (1935-2009), 295, 296&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Ciriani Henri (1936–), 360&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Coccia Francesco (1946–), 151, 157&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Coderch José (1913–1984), 225, 360&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Constant (Constant Nieuwenhuys) (1920–2005), 212-8, 370&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Contamin Victor (1840–1895), 22&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Cook Peter (1936–), 200, 351, 421&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Cooke Catherine (1942–2004), 65&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Copernico Niccolò (1473–1543), 428&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Corbett Harvey Wiley (1873–1954), 100&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Correa Charles (1930–), 258, 286&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Cosenza Luigi (1905–1984), 114, 147-9&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Costa Lucio (1902–1998), 187-8&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Courbet Gustave (1819–1877), 25&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Croce Benedetto (1866–1952), 149, 204&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 11.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Crompton Dennis (1935–), 200&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 11.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 22.6px; text-indent: -22.7px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;D’Aronco Raimondo (1857–1932), 28&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Daejin Bu, 412-3&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Daneri Luigi Carlo (1900–1972), 219, 221&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Darbourne John William (1935–1991), 228&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Dardi Costantino (1936–1991), 295, 298, 308, 311&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Darke Geoffrey (1929–), 228&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Darwin Charles (1809–1882), 25&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;De Carlo Giancarlo (1919–2005), 189, 223, 225, 233, 259, 265, 307-8, 311&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;De Chirico Giorgio (1888–1978), 117, 120, 240&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;De Luigi Mario (1901–1978), 203&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;De Mandrot Hélène (1867–1948), 88&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;De Masi Domenico (1938–), 259&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;De Meuron Pierre (1950–), 375, 376, 408-9&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;De Klerk Michel (1884–1923), 28, 92&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;De Renzi Mario (1897–1967), 112&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;De Plaisant Uga (1917–), 157&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;De Sade, Donatien Alphonse François, (1740–1814), 346&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;De Portzamparc Cristian (1944–), 309, 359-60&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;De Saussure Ferdinand (1857–1913), 266&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;De Zavala Juan, 88&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 18.0px Helvetica; margin: 0.0px 0.0px 0.0px 11.3px; min-height: 22.0px; text-indent: -11.3px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Debord Guy (1931–1994), 213, 250&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Décosterd Jean-Gille (1963–), 431&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Deleuze Gilles (1925–1995), 416&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Delleani Vinicio, 217&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Dempster William (1940–), 200, 364&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Derrida Jacques (1930–2004), 313, 317, 342 343&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Dickens Charles (1812–1870), 25&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Diller Elizabeth (1954–), 431, 435-6&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Diotallevi Irenio 1909–1954, 114&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Dix Otto (1892–1969), 61&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Dubuffet Jean (1901–1985), 157-8, 191, 321&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Duchamp Marcel (1887–1968), 33-4, 321, 380, 390&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Dudok Willem (1884–1974), 28, 34, 61&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Dunant Jean Henry (1828–1910), 282&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Dusapin Fabrice, 360&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 11.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Dutert Ferdinand (1845–1906), 22, 26&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 11.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 22.6px; text-indent: -22.7px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Eames Charles (1907–1978), 155&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Eastman Chuck, (1939–), 419&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Edison Thomas (1847–1931), 26&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Edler Jan (1970–), 421&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Edler Tim (1965–), 421&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Eiffel Gustave (1832–1923), 26&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Einstein Albert (1879–1955), 43, 74, 160, 182, 380&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Eisenman Peter (1932–), 247, 267-71, 307, 311-9, 330, 334, 377, 341, 345, 370, 378-86, 390, 406, 416-7&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Ekelund Hilding (1893–1984), 106&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;El Lissitskij (Eliezer Markovič Lisickij) (1890–1941), 79, 66&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Eliasson Olafur (1967–), 441-2&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Emmerich Georges (1925–1996), 199&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Engels Friedrich (1820–1895), 25&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Ercole I d’Este (1431–1505), 208&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Erskine Ralph (1914–2005), 189, 225, 232-5, 248, 261-2, 323, 354, 363&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Esherick Joseph (1914–1998), 237&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Fautrier Jean (1898–1964), 192&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Fehn Sverre (1924–2009), 363&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Figini Luigi (1903–1984), 111, 114, 212&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Finsterlin Hermann (1887–1973), 63&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Fiorentino Mario (1918–1982), 151, 157, 217, 221-2&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Fisker Kay (1893–1965), 185, 200-2&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Fleischer Alain (1944–), 377&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Florentin Lucienne (1872–1942), 88&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Folsome Clair (1943–), 364&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Fontana Lucio (1899–1968), 116&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Ford Henry (1863–1947), 86, 406&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Foster Norman (1935–), 255-6, 420&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Foucault Michel (1926–1984), 268&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Fouilhoux Jacques-André (1879–1945), 100&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Fourier Charles (1772–1837), 93, 298&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Fournier Colin (1944–), 421&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Frampton Kenneth (1930–), 267&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Francastel Pierre (1900–1970), 71&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Frank Josef (1885–1967), 88&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Franken Bernhard (1965–), 421, 423&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Franklin Benjamin (1706–1790), 244&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Frazer John (1945–), 419&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Frei Otto (1925–), 252&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Frette Guido (1901–1984), 111&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Friedman Yona (1923–), 199, 289&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Fröbel Friedrich (1782–1852), 131&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Fuksas Massimiliano (1944–), 360, 425-6&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Fulbright John William (1905–1995), 172&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Funi Achille (1890–1972), 115&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Gabetti Roberto (1925–2000), 206, 211-2&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Galfetti Aurelio (1936–), 273&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Galileo Galilei (1564–1642), 402&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Galli Aldo (1906–1981), 115&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Gamberini Italo (1907–1990), 113&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Gan Alexei (1889–1942), 63&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Garofano Douglas (1963–), 63&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Gardella Ignazio (1905–1999), 114, 122, 205-6, 291-2, 360&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Garnier Tony (1869–1948), 28, 33, 89&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Garofano Douglas (1963–), 423&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Gatti Alberto (1921–), 308, 311&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Gatti De Sanctis Diambra (1921–2008), 308, 311&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Gaudí Antonio (1852–1926), 28, 183, 207&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Gaudin Henri (1933–), 237, 360&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Gauguin Paul (1848–1903), 41&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Gehry Frank Owen (1929–), 311, 322-8, 330, 334, 339, 341, 342, 379, 388-97, 419-23&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Giacometti Alberto (1901–1966), 152, 157, 191&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Gianola Ivano (1944–), 273&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Giedion Siegfried (1888–1968), 88, 189, 207&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Ginzburg Moisej (1892–1946), 93-5, 97&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Giotto (di Bondone) (1267–1337), 411&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Giovannoni Gustavo (1873–1947), 89, 204&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Giurgola Romaldo (1920–), 295, 298-9&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Godin André (1817–1888), 93&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Godley Frederic (1886–1961), 100&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Goff Bruce (1904–1982), 210-1&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Golosov Ilya Aleksandrovich (1883–1945), 67&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Gorbaciov Mikail (1931–), 344&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Gorio Federico (1915–2007), 221&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Goulthorpe Mark (1963), 429, 431&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Gowan James (1923–), 196, 200, 278-9&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Gramsci Antonio (1891–1937), 154&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Grassi Giorgio (1935–), 221&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Graves Michael (1934–), 267, 270-1, 276, 283, 295, 298, 312, 330&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Greene David (1937–), 200&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Greene Herb (1929–), 210, 211&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Greenough Horatio (1805–1852), 178&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Gregotti Vittorio (1927–), 219, 221, 304, 306-8&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Gropius Walter (1883–1969), 18, 34, 36-9, 41-2,46-8, 51-2, 56, 67, 71, 76, 78-9,83, 89-90, 97, 105, 107, 109, 111,126, 132, 147, 156, 166, 170, 172,174, 178, 203, 227, 380&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Grosz George (1893–1959), 61, 321&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Grumbach Antoine (1942–), 295, 297, 299-300&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Grzimek Günther (1915–1996), 252&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Guarini Guarino (1624–1683), 207&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Guarnieri Sarre (1904–1933), 113&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Gubler Friedrich, 88&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Gudmand-Høyer Jan (1936–), 259-61&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Guedes Amancio (Pancho (1925–), 225, 286&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Guevrekian Gabriel (1892–1970), 88&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Guimard Hector (1867–1942), 127&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Gwathmey Charles (1938–2009), 266-7, 271&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Habraken John (1928–), 224-5&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Hadid Zaha (1950–), 307, 311, 329-37, 341, 343, 361-2, 404-6, 423&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Haefeli Max (1901–1976), 88&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Haesler Otto (1880–1962), 91&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Halprin Lawrence (1916–2009), 237-8&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Häring Hugo (1882–1958), 62-3, 88, 109&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Harrison Wallace (1895–1981), 100&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Hartung Hans (1904–1989), 192&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Hauser Arlond (1892–1978), 278, 280, 342&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Hausmann Raoul (1886–1971), 39&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Haussmann Georges Eugène (1809–1891), 306&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Hecker Zvi (1931), 211-2, 349-50&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Hejduk John (1929–2000), 267, 270-1, 345&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Helg Franca (1920–1989), 205&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Herron Ron (1930–1994), 199-200&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Hertzberger Herman (1932–), 258, 260, 307&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Herzog Jacques (1950–), 375-6, 408-9&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Hilberseimer Ludwig (1885–1967), 83&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Hitchcock Henry Russell (1903-1987), 102, 132&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Hobsbawm Eric John (1917–), 344&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Hoffmann Joseph (1870–1956), 28, 61&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Hofmeister Henry (1891-1962), 100&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Holl Steven (1947–), 350-2, 354, 358&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Hollein Hans (1934–), 277, 281-3&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Holzer Michael (1943–), 341&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Hood Raymond (1881–1934), 100&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Hopper Dennis (1936–), 249&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Hoste Huib (1881–1957), 88&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Howard Ebenezer (1850–1928), 89&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Howe George (1886–1955), 172&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Huidobro Borja (1936–), 359&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Huizinga Johan (1872–1945), 218&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Hundertwasser Friedensreich (1928–2000), 250&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Huttunen Erkki (1908–1956), 106&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Isola Aimaro (1928–), 206, 211-2&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Isozaki Arata (1931–), 283-4, 358&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Ito Toyo (1941–), 399, 431-5&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Itten Johannes (1888–1967), 63, 77&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Jakob Dominique (1966–), 421&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Jakobson Roman (1896–1982), 65, 266&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Jeanneret Pierre (1896–1967), 88&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Jefferson Thomas (1743–1826), 382&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Jencks Charles (1939–), 275, 312, 351&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Jeongcheol Kim, 412-3&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Johansen John (1916–), 253, 440&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Johns Jasper (1930–), 197, 321&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Josic Alexis(1921–), 258&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Johnson Philip (1906–2005), 102, 132, 171, 276, 312, 330, 341-3&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Jones Fay (1921–2004), 363&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Judd Donald (1928–1994), 264&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Kac Eduardo (1962–), 431&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Kafka Franz (1883–1924), 346&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Kahn Louis (1901–1974), 155, 171-8, 187, 191, 202-3, 220, 230, 241-2, 272, 304, 351, 389&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Kandinsky Vasilij (1866-1944), 117&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Kaufmann Emil (1891–1953), 47&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Kaufmann Edgar (1885–1955), 141&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Kennedy John Fitzgerald (1917–1963), 249&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Kennedy Robert Francis (1925–1968), 249&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Kennon Kevin (1958–), 407&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Kiesler Frederick John (1890–1965), 79&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;King Martin Luther (1929–1968), 249&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Kipnis Jeff (1951–), 416&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Klee Paul (1879–1940), 117, 330, 332&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Kleihues Josef Paul (1933–2004), 306&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Klein Alexander (1879–1961), 92&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Klein Yves (1928–1962), 195, 198&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Koetter Fred (1938–), 299&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Kollhoff Hans (1946–), 358&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Koolhaas Rem (1944–), 334-5, 341, 343, 351, 370-3, 380, 412-3&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Kosuth Joseph (1945–), 267&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Kounellis Jannis (1936–), 264&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Koyré Alexandre (1892–1964), 402&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Kranz Kurt (1910–1997)37&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Krier Leon (1946–), 278, 295, 297-8&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Krier Robert (1938–), 295, 298, 306, 312&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Kroll Lucien (1927–), 257-8, 323&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Kubrick Stanley (1928–1999), 249, 251, 255&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Kuhn Thomas (1922–1996), 17, 18, 442&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Lang Fritz (1890–1976), 69&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Larco Sebastiano (1901), 111&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Lasdun Dennis (1914–11), 233&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Lauber Ulrike (1955–), 358&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Laugier Marc-Antoine (1713–1769), 305&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Lazovich Olga (1898–1985), 143&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Leclercq François, 360&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Le Corbusier (1887–1965), 18, 21, 46-56, 66-7,71, 78-9, 83-4, 86-91, 93-4, 97,101, 106-7, 109, 111, 120-2, 126, 128, 130-2, 135, 138-9, 147-8, 155, 158-62, 164-6, 173, 177, 180, 187-8, 191-3, 203-4, 213, 218-9, 227, 232, 259, 277, 280, 318, 373, 396&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Ledoux Claude-Nicolas (1736–1806), 305&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Léger Ferdinand (1881–1955), 321&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Lénárd Ilona (1948–), 425&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Lennon John (1940–1980), 286&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Leonhardt Fritz (1909–1999), 252&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Leonidov Ivan Il'ič (1902-1959), 66&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Leopardi Giacomo (1798–1837), 127&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Leroy Louis (1924–), 258&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Lévi-Strauss Claude (1908–2009), 226&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;LeWitt Sol (1928– 2007), 267&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Leyton Michael (1952–), 417&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Libera Adalberto (1903–1963), 111-2, 122, 147-9, 159&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Libeskind Daniel (1946–), 340-1, 34-8, 350, 358, 395&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Lichtenstein Robert (1923–1997), 198, 321&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Licini Osvaldo (1894–1958), 116&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Liebknecht Karl, 76&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Ligorio Pirro (1510–1583), 304&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Lindegren Yrjö (1900–1952), 106&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Lindgren Armas (1874–1929), 106&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Lingeri Pietro (1894–1968), 115, 165, 269&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Loos Adolf( 1870–1933) 32, 240&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Lubetkin Berthold (1901–1990), 150&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Luckhardt Hans (1890–1954), 61&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Luckhardt Wassili (1889–1972), 61&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Lugli Piero Maria (1923–), 221&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Lurçat André (1894–1970), 88&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Lusanna Leonardo (1908–1973), 113&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Luxemburg Rosa (1871–1919), 76&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Lynch Kevin (1918–1984),, 225, 263&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Lyndon Donlyn (1936–), 237&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Lynn Greg (1964–), 407, 416, 423&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Lynn Jack, 219&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Lyotard Jean-François (1924– 1998), 276&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; min-height: 13.0px; text-indent: -11.3px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Macfarlane Brendan (1961–), 421&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Mackintosh Charles Rennie (1868–1928), 28, 127, 131&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;McInturf Michael, 423&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Mac Murray William, 100&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Maggioni Gino (1898–1955), 88&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Magnelli Alberto (1888–1971), 116&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Maillart Robert (1872– 1940), 182&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Mainardis Pietro (1935–), 211-2&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Malaparte Curzio (1898-1957), 148&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Manet Edouard (1832–1883, 25&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Manzoni Piero (1933–1963, 198-9&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Mao Tse-tung, 265 (1893–1976&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Marat Jean-Paul (1743–1793), 285&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Marcuse Herbert (1898–1979, 250&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Marescotti Franco (1908–), 114&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Marinetti Filippo Tommaso (1876–1944), 43&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Markelius Sven Gottfrid 1889–1972), 107&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Martin Leslie (1908–1999), 233&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Martorell Josep (1925–), 361&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Marx Karl (1818–1883), 25&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Matisse Henri (1869–Nizza, 3 novembre 1954) 48, 407&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Matsui Hiromichi, 219&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Mattè Trucco Giacomo (1869–1934), 55&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Matzinger Friz, 261&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Mau Bruce (1959–), 372&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;May Ernest (1886–1970), 88, 91, 384&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Mayne Thomas (1942–), 415&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;McLuhan Marshall (1911–1980), 250&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Meier Richard (1934–), 267, 271, 283&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Mel’nikov Konstantin Stepanovič (1890–1974), 66-7&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Melotti Fausto (1901–1986), 116, 367&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Mendelsohn Erich (1887–1953), 18, 56, 62-4, 69-70,72-4, 76, 78, 83, 109, 111, 126,132, 143, 207, 380&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Menn Christian (1927–), 366&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Mercadal García (1896–1985), 88&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Mercatore Gerardo (1512–1594), 386&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Meucci Antonio (1808–1889), 26&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Meyer Hannes (1889–1954), 81, 88&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Michelangelo (Buonarroti) (1475–1564), 111, 207-8, 367&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Michelucci Giovanni (1891–1990), 113, 209, 211&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Mies van der Rohe Ludwig (1886–1969), 18, 56, 75-84, 107, 109, 111, 120, 126, 132, 69-72, 186, 191, 203, 213, 255, 382&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Miralles Enric (1955–2000), 333, 360-2, 409-10&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Miró Joan (1893–1983), 321&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Möbius August Ferdinand (1790–1868), 401, 417&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Mockbee “Sambo” Samuel (1944–2001), 441, 443–4&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Modugno Domenico (1928–1994), 198&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Moholy-Nagy László (1895–1946), 63, 77&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Mondrian Piet (1872–1944) 57, 77, 332&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Moneo Rafael (1937–), 284-5, 358&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Monet Claude (1840–1926), 25&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Moore Charles (1925–1993), 236-8, 24, 275, 276, 295&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Morandi Giorgio (1890–1964), 115, 116, 120&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Morandi Riccardo (1902–1989), 182-4, 191, 217, 367, 380&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Moretti Gaetano (1860–1938), 93, 106&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Moretti Luigi (1907–1973), 113, 122&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Moro Aldo (1916–1978), 293&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Morpurgo Vittorio Ballio (1890– 1966), 241&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Morris William (1834–1896), 27&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Morris Benjamin Wistar (1870–1944), 100&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Moser Werner (1896–1970), 88&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Moss Eric Owen (1943–), 349&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Moussavi Farshid (1965–), 405&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Mumford Lewis (1895–1990), 215&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Munch Edvard (1863–1944), 321&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Muratori Saverio (1910– 1973), 206, 301, 304&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Murcutt Glenn (1936–), 363&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Musmeci Sergio (1926–1981), 252&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Mussolini Benito (1883–1945), 103&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Muthesius Hermann (1861–1927), 31, 85&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 11.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Muzio Giovanni (1893– 1982), 113&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 11.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 22.6px; text-indent: -22.7px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Nervi Pier Luigi (1891–1979), 147, 150, 181-3, 367&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Neuman Alfred (1900–1968), 211-2&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Neutra Richard (1892–1970), 147&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Nicolin Pierluigi (1941–), 219&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Nicolini Renato (1942–), 300&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Niemeyer Oscar (1907–), 187-8, 286&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Nizzoli Marcello (1887–1969), 122&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Nolli Giovanni Battista (1692–1756), 295-6, 299, 304&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Norberg Schulz Christian (1926–2000), 301&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Nouvel Jean (1945–), 374-6, 409, 411-3, 415, 426, 430&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Novak Marcos (1957–), 427, 429, 431&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 11.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Nyström Usko (1861–1925), 106&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 11.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 22.6px; text-indent: -22.7px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Oksiuta Zbigniew (1951–), 438&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Olbrich Joseph (1867–1908), 28, 127&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Oldenburg Claes (1929–), 198, 320-1&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Olivetti Adriano (1901–1960), 211&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Oosterhuis Kas (1951–), 423-5, 431&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Ott Carlos (1946–), 360&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Oud Johannes (1890–1963), 57-9, 83&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 11.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Ozenfant Amédée (1886–1966), 48-9&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 11.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 22.6px; text-indent: -22.7px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Pagano Giuseppe (1896-1945),101, 114, 122-3, 149-50, 159, 321&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Palanti Giancarlo (1906–1977), 114, 122&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Palladio Andrea (1508–1580), 174, 204, 207&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Pane Roberto (1897–1987), 321&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Panofsky Erwin (1892–1968), 267&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Paolini Giulio (1940–), 264&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Parent Claude (1923–), 251-2, 374&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Pascali Pino (1935–1968), 264&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Pasolini Pier Paolo (1922–1975) è, 163, 265&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Passarelli Lucio (1922–), 212, 217&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Paxton Joseph (1803–1865), 26&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Pei Ieoh Ming (1917–), 229, 230 283-4, 359&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Penezić Vinko (1959–), 421&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Penn William (1644–1718) w, 232&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Peressutti Enrico (1908–1976), 114, 206&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Perrault Dominique (1953–), 359&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Perret Auguste (1874–1954), 28, 32, 155&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Persico Edoardo (1900–1936), 114, 116-7, 122-3&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Perugini Giuseppe (1914–), 151, 157&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Pessina Franco (1933–), 272-3&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Pevsner Nikolaus (1902–1983), 88&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Piacentini Marcello (1881–1960), 109, 113, 241&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Piano Renzo (1937–), 254-5, 354-8, 363, 393&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Picasso Pablo (1881–1973), 40, 42-3, 132, 149,321&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Piccinato Luigi (1899–1983), 112&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Pietilä Raili (1923–1993), 209&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Pietilä Reima (1926–), 209, 211&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Pikionis Dimitris (1887–1968), 284&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Piñon Helio (1942–), 361&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Pinós Carmen (1954–), 360-2&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Piranesi Giambattista (1720–1778), 304-5, 377&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Pistoletto Michelangelo (1933–), 264&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Planck Max (1858–1947), 43&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Poelzig Hans (1869–1936) Berlin, 63, 83&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Pollini Gino (1903–1991), 111, 114, 212&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Pollock Jackson (1912–1956), 132, 321&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Ponti Gio (1981–1979), 113&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Popper Karl (1902–1994), 183&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Portaluppi Piero (1888–1967), 106&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Portman John (1924–), 256&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 11.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Portoghesi Paolo (1931–), 203, 295, 300-2,304&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 11.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 22.6px; text-indent: -22.7px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Predock Antoine (1936-), 353-4&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Price Cedric (1934–2003), 254, 289&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Prina Carla (1911–2008), 115&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Prix Wolf (1942–), 341&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Prouvé Jean, 155&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 11.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Purini Franco, 219, 302, 304-5, 308, 311&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 11.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 22.6px; text-indent: -22.7px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Quaroni Ludovico (1911–1987), 154, 217, 220&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 11.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Quasimodo Salvatore (1901–1968), 115&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 11.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 22.6px; text-indent: -22.7px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Radice Mario (1898–1987), 115-6&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Rahm Philip (1967–), 437-8&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Rapisardi Gaetano (1893–1988), 241&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Rauschenberg Robert (1925–2008), 203&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Rava Carlo Enrico (1903–1985), 111&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Reggiani Mauro 1897–1980, 116&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Reichlin Bruno (1941–), 273&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Reinhard Andrew L (1892–1964), 100, 273&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Reiser Jesse (1958–), 407, 423-4, 426&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Renaudie Jean (1925–1981), 251, 259&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Rho Manlio (1901–1957), 116&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Ricci Leonardo (1918–1994), 209, 211&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Richardson Henry Hobson (1838–1886), 28&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Ridolﬁ Mario (1904–1984), 112, 154, 159&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Rietveld Gerrit (1888–1964), 57, 59-60, 88 120&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Riley Terence (1935–), 130&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Rimbaud Arthur (1854–1891), 25&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Rochat, 88&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Roche François (1961–), 437-8&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Roche Kevin (1922–), 256&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Rogers Ernest Nathan (1909–1969 ), 114, 206, 239&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Rogers Richard (1933–), 254-6, 358, 393&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Rogina Krešimir (1959–), 421&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Rossi Aldo (1931–1997), 221, 239-41, 244, 265-6, 274, 276, 278, 295, 298,301, 312, 346, 354, 375&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Rotella Mimmo (1918–2006), 198, 317, 321&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Rowe Colin (1920–1999), 204, 266-7, 269, 295-6, 298-9&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Rubino Luciano (1926-2005), 320&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Ruchat Flora (1937–), 273&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Rudofsky Bernard (1905–1988), 147-9, 225, 321&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Rudolph Paul (1918–1997), 265&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Rusconi Clerici Carlo (1914–1989), 219&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Ruskin John (1819–1900), 27&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 11.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Russel Bertrand (1872–1970), 266, 374&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 11.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 22.6px; text-indent: -22.7px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Saarinen Eero (1910–1961), 184–7, 189, 191, 193, 210, 237&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Saarinen Eliel (1873–1950), 28, 109, 185, 353&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Sadao Shoji (1937–), 215&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Safdie Moshe (1938–), 211-2&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Salcedo Doris (1958), 442&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Samonà Giuseppe (1898–1983), 112, 221&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Sant’Elia Antonio 1888–1916), 33, 89, 380&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Sarfatti Margherita (1880–1961), 115&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Sartogo Piero (1934–), 295-6&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Sartoris Alberto (1901–1998), 88, 115&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Sartre Jean-Paul (1905–1980), 153&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Sauer Louis (1928–), 173, 228, 230-3, 240&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Savinio (Andrea Francesco Alberto de Chirico 1891–1952), 117&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Scarpa Carlo (1906–1978), 205-6&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Scharoun Hans (1893–1972), 63, 83, 192-3&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Schifano Mario (1934–1998), 198-9&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Schindler Rudolf (1887–1953), 103, 147, 281&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Schinkel Karl Friedrich (1781–1841), 34, 169, 280&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Schlemmer Oskar (1888–1943), 64&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Schmidt Hans (1893–1972), 88&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Schultze-Fielitz Eckhard (1929–), 199&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Schumacher Patrik (1961–), 335&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Scoﬁdio Richard (1935–), 431, 435-6&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Scolari Massimo (1943–), 221&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Scott Brown Denise (1931–), 243, 371&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Severini Gino (1883–1966), 59&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Sharon Eldar (1931–), 212&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Shunk Harry (1924–2006), 195&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Siegel Robert (1939–), 267&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Simpson Robert, 236&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Sirén Johan Sigfrid (1889–1961), 106, 353&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Sironi Mario (1885–1961), 115-6, 120&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Sitte Camillo (1843–1903), 89&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Siza Alvaro (1933–), 271-2&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Smith Ivor (1929–), 219&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Smithson Alison (1928–1993), 162-3, 221, 224&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Smithson Peter (1923–2003), 162-3, 221, 224&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Snozzi Luigi (1932–), 273&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Soldati Atanasio (1896–1953)116&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Soler Francis (1949–), 360&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Soleri Paolo (1919–), 207-8, 440&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Soltan Jerzy (1913–2005), 199&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Sonnier Keith (1941–), 415&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Soria y Mata Arturo (1844–1920), 89&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Spence Basil (1907–1976), 254-5&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Spinadel Laura (1959–), 410&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Spuybroek Lars (1959–), 429, 431&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Stalin Jospeh (1878–1953), 103&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Stam Mart (1899–1986), 83, 88&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Steiger Rudolf (1900–1982), 88&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Steiner Rudolf (1861–1925), 63&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Stern Robert (1939–), 276, 283, 312, 330&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Stirling James (1926–1992), 196, 200, 277-80, 282-3, 295, 298&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Stonorov Oskar Gregory (1905–1970), 172&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Sullivan Louis (1856–1924), 27-8, 73, 128-30,178&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Summerson John (1904–1992), 266&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 11.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Swiczinsky Helmut (1944–), 341&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 11.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 22.6px; text-indent: -22.7px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Tadevossian Kristofor (1905), 88&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Taeuber-Arp Sophie (1889–1943), 60&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Tafuri Manfredo (1935–1994), 284, 285, 342&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Tagliabue Benedetta (1964–), 409-10&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Tange Kenzo (1913–2005), 219-20&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Tant Aron, 412-3&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Tatlin Vladimir Evgrafovič (1885–1953), 66, 67-8, 380&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Taut Bruno (1880–1938), 36, 61, 63, 76-7, 83, 91&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Taut Max (1884–1967), 61, 83&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Taylor Frederick (1856–1915), 26, 43&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Terragni Attilio (1896–1958), 106&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Terragni Giuseppe (1904–1943), 18, 104, 111-2,114-6, 118-23, 125, 146, 165, 200, 204, 269-70, 273&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Thermes Laura (1943–), 305&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Tofﬂer Alvin (1928–), 17, 349&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Torroja Eduardo (1899–1961), 180, 182-3, 191&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Tschumi Bernard (1944–), 317, 334-5, 341,359, 376-8&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 11.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Turnbull William (1935–1997), 237&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 11.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 22.6px; text-indent: -22.7px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Umemoto Nanako (1960–), 407, 423-4, 426&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Ungers Oswald Mathias (1926–2007), 278&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 6.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Utzon John (1918–2008), 187, 189-91, 363, 367&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 11.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 22.6px; text-indent: -22.7px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Vacchini Livio (1933–2007), 273&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Valle Gino (1923–2003), 306-7, 311&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Van Berkel Ben (1957–), 413, 417-8&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Van der Broek Johannes Hendrik (1898–1978), 225&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Van Doesburg Theo, 57, 60, 63, 77&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Van de Velde Henry (1863–1957), 28, 32, 36&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Van Eesteren Cornelis (1897–1988), 57, 58, 60&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Van Eyck Aldo (1918–1999), 189, 225, 258–60&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Van Eyck van Roojen Hannie (1918–)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Van Gogh Vincent (1853–1890), 25, 41-2&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Van t’Hoff Robert (1887–1979), 57&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Von der Mühll Robert (1898–1944), 88&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Von Erlach Fischer Johann (1656–1723), 281&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Vedova Emilio (1919– 2006), 192&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Venturi Robert (1925–), 242-5, 275, 283, 295, 312, 322-3, 330, 351, 371&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Vernadsky Vladimir Ivanovich(1863–1945), 364&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Veronesi Luigi (1908–1998), 116&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Vershure Paul (1962–), 400&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Vesnin Leonid (1880–1933), 93&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Vesnin Viktor Aleksandrovich (1882–1950), 93&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Vesnin Alexander (1883–1959), 93&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Viaplana Albert (1933–), 361&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Viganò Bruno (1941–), 219&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Viganò Vittoriano (1919–1996), 162-3&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Virilio Paul (1932–), 251&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Vitellozzi Annibale (1901), 181&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Von Spreckelsen Johann Otto (1929–1987), 359&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Voysey Charles (1857–1941), 28, 131&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 11.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Vriesendorp Madelon (1945–), 371&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 11.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 22.6px; text-indent: -22.7px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Wagner Martin (1885–1957), 91&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Wagner Otto (1841–1918), 28-9, 281&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Walesa Lech (1943–), 344&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Warhol Andy (1928–1987), 198, 321&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Watanabe Makoto Sei (1952–), 423-6&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Webb Michael (1937–), 200&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Webb Philp (1831–1915), 27, 322&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Weber Molly (1864–1920), 88&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Weese Harry (1915–1998), 169&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Whitaker Richard, 237&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Whitman Walt (1819–1892), 127&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Wigley Mark (1954–), 3412&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Wilford Michael (1938–), 279-80&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Wils Jan (1891–1972), 57&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Wines James (1932––), 363&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Wittgenstein Ludwig (1889–1951), 266, 374-5&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Wöhr Wolfrem (1956–), 358&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Wojtyla Karol (1920–2005), 293, 344&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Woods Shadrach (1923– 1973), 258&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 11.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Wright Frank Llyod (1867– 1959), 18, 28, 34, 57, 61, 70, 73, 77, 99, 102-4, 109, 126-46, 164-6, 170, 172, 178, 187, 203, 207-9, 211, 232, 256, 304, 318, 380, 390, 396&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 11.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 11.0px 22.6px; text-indent: -22.7px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Xenakis Iannis (1922–2001), 192, 193&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 11.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 22.6px; text-indent: -22.7px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Zabludovsky Abraham (1924&lt;/span&gt;&lt;/span&gt;&lt;span style="font: normal normal normal 13px/normal 'Lucida Grande'; letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;–&lt;/span&gt;&lt;/span&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;2003, 353-4&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Zaera-Polo Alejandro (1963–), 405&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Zeisel John, 225&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Zenetos Takis (1926-1977), 287-8&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Zenghelis Elia (1937–), 334, 371&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Zenghelis Zoe (1937–), 371&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Zevi Bruno (1918–2000), 73, 159, 203, 206-8, 217, 253-4, 265-6, 300&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Zoelly Pierre (1923–2003), 282&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Zola Emile (1840–1902), 25&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 10.0px 'Baskerville Old Face'; margin: 0.0px 0.0px 0.0px 11.3px; text-indent: -11.3px;"&gt;&lt;span style="letter-spacing: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Zuccoli Luigi (1907-1985), 115&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;la foto in alto:&amp;nbsp;Primo Congresso Ciam, La Sarraz 1928.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4343097642395777489-3246924209050743819?l=saggioarchitettura.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://saggioarchitettura.blogspot.com/feeds/3246924209050743819/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='http://saggioarchitettura.blogspot.com/2010/02/00-indice-dei-nomi.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/3246924209050743819'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4343097642395777489/posts/default/3246924209050743819'/><link rel='alternate' type='text/html' href='http://saggioarchitettura.blogspot.com/2010/02/00-indice-dei-nomi.html' title='0.0. Indice dei Nomi'/><author><name>Antonino Saggio</name><uri>http://www.blogger.com/profile/07567640266002829725</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://www.arc1.uniroma1.it/saggio/0PortraitsAS/SaggioPenta.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_qHqxLEC7B-g/S4kSSiZUY0I/AAAAAAAAA1E/NKTO7mkxu6I/s72-c/28022009640.jpg' height='72' width='72'/><thr:total>0</thr:total></entry></feed>
